Posts tagged: Focusing

LISTENING/FOCUSING PRACTICE PARTNERSHIP OR GROUP: BASIC INSTRUCTIONS

By , May 12, 2008 5:23 pm

Starting Your Own Listening/Focusing Partnership or Group

In these weekly Felt Sensing newsletters of this four-week cycle, I will give instruction (including free Chapter downloads from the manual Focusing In Community: Starting A Listening/Focusing Support Group (Focusing en Comunidad) and encouragement for starting your own, local Listening/Focusing Practice Partnership or Group. Click here to read Week One: Starting A Listening/Focusing Practice Group, including links to Free Downloads of “Introduction” from the manual, Focusing in Community, in English and Spanish. This “Introduction” gives many suggestions for finding that one first person to exchange Focusing Partnership and/or how to start a core practice group.

FIRST TEN PRACTICE GROUP SESSIONS

I promised that this week I would give free download of Chapter Three of the manual, Focusing in Community (Focusing en Comunidad), telling you exactly how to do the actual exchange of Listening/Focusing Partnership Exchange: exactly what the Focuser does, and exactly what the Listener does. And here it comes! But, first, I want to present an outline for the First Ten Sessions of a practice group, in case you want to go beyond exchanging turns with one person and build a small group. These appear at the end of Chapter Three, but I wanted to highlight them here so that you could see that this is really, really simple, really possible.

You can do this, start your own self-help group. And, of course, if you want more formal help, you can take a Listening/Focusing Level 1 and 2 Class, learning the basic skills from a Certified Focusing Professional. Links to finding those classes internationally are at the end of this e-newsletter. So, from the end of Chapter Three (after this, you’ll get the link that completely explains the four types of response eluded to here: Pure Reflection, Asking For More, Focusing Invitations, and Personal Sharings):

Instructions for Small Group Practice (The Listening Exchange)

Step 1 :Round-Robin Practice: Start with a small group of people (four to six).

Listening/Focusing Turns: Go around in a circle, one person focusing in and saying something from what she is feeling (an important issue in her life or just how she is feeling right then about being there, doing this sharing), the person to the right of her saying back what she says, the listenee checking these words inside and saying what comes next, the listener reflecting that. Go back and forth in this way about three times. If the listenee seems to have run out of things to say in less than three steps, the listener can try asking her to “say more” about some part of it that seemed important.

AT THIS EARLY STAGE, STICK WHITH “PURE REFLECTIONS” AND “ASKING FOR MORE”

It’s important not to move on to Focusing Invitations and Personal Sharings until everyone is well-practiced at just hearing what the other is saying and at just holding on to a feeling sense and checking words reflected against it.

Feedback: At the end of the turn (about five minutes), first the listenee, and then the listener, say a little about how the experience felt, what felt good, what wasn’t quite right. Other people in the group can comment or give suggestions from the readings, but avoid getting into too much discussion or argument about what happened. The point is to practice, not to get distracted into intellectual conversation (which is all too easy!).

Continue around the circle until everyone has had a turn at both roles. Your group can repeat Step One as often as you like or until you feel ready to move on to Step Two. Step One takes about one-and-one-half hours with four to six people. I would suggest doing it at least three or four times.

Step 2 : Dyads

Pair off in twos and spread out to exchange fifteen minute turns, using just Pure Reflection and Asking For More when the person seems to have run out of things to say. Try out using a Focusing Invitation. Come back together as a group and discuss how it went, where you had trouble, what new things you learned. Consult readings, or memory of things read, for answers to questions. Repeat as often as wanted or needed.

Step 3: Triads

Alternatively, pair off in threes. This is an ideal learning structure, since the third person can act as an observer. Split up the time equally, allowing 10 minute between turns for feedback. Each person takes a turn as listener, listenee, and observer. The observer also keeps time, giving a five-minute warning before the end of a turn.

At the end of a turn, each person gives short feedback, First the listenee says how the turn was for him/her – what was helpful, what could have been different. Then the listener says how it was to be the listener – good feelings from following the others journey, anxiety about remembering, etc. Then, the observer gives feedback, using Table 3.4., Feedback Sheet For Listening Turns, as a guide.

Step 4: Focusing Partnerships

When you feel ready or interested, pair off in twos who will get together sometime during the week to exchange one-half hour turns. In these turns, listeners can try out Focusing Invitations and Personal Sharings as well as Pure Reflection and Asking For More, but always with the emphasis on helping the listenee to stay with her “felt sense,” and make words for it. The listenee needs to be sure to go back to Pure Reflection for several steps after each Personal Sharing or Focusing Invitations.

Step 5: Focusing Group Meetings

When you come together to do Listening/Focusing turns in a small group (set aside two hours), split up the time so that each person will have an equal amount for a listening turn, with five to ten minutes additional in between each turn, for feedback and comments from others besides the two. Take turns keeping time, ending people’s turns on schedule, warning them a minute or two before the end, and moving on to the next turn after limited discussion. Chapter 7.2 gives a format for a group meeting.

Don’t get side-tracked into a lot of discussion with no time for doing. Know that a person can stop at the end of her turn, even if she has been working on heavy feelings. During turns, allow no input from others in the group. At the end of each turn, anyone in the group can say what they saw, ask questions, or offer warm support for the work done.

Option: If there are more than four people, or if each person wants a longer turn, you may decide to split into triads and share turns within these, again dividing time equally and making sure that each person who wants to gets a chance both at listening and being listened to. The third person can serve as an observer, giving feedback at the end of the turns. The following page gives a feedback sheet which you can use as a guide when you are observing listening turns (Table 3.4).

It is also a good idea to begin turns with some short, group Focusing Instructions (Chapter Four gives a thorough introduction to Focusing). The instructions can be read to the whole group by one person. In general, they give everyone a chance to step out of the tensions of the day and to choose an issue or a feeling they would like to work on. Table 3.5 gives some short, pre-listening turn Focusing Instructions.

IF YOU HAVE THE SELF-HELP PACKAGE CDS, INTUITIVE FOCUSING INSTRUCTIONS, YOU CAN ALSO PLAY AN EXERCISE FROM THESE EACH WEEK FOR THE GROUP TO TRY.

AND YOU COULD ALSO USE MY WEEKLY BLOGS OR E-NEWSLETTERS (YOU CAN ALWAYS GO TO THE ARCHIVES FROM WWW.CEFOCUSING.COM, CATEGORY “FREE RESOURCES,” THEN CHOOSE E-NEWSLETTER ARCHIVE OR SIMPLY SUBSCRIBE FROM THE WEBSITE SIDEBAR) AS “LESSONS” FOR PRACTICE OR DISCUSSION AT MEETINGS, IF YOU WANT MORE STRUCTURE.

Once you have established your listening exchanges you should meet to exchange turns once a week for at least ten weeks. Since you will be continuing to read the manual and to learn new skills, you might want to schedule in one-half to one hour of time at your listening exchange for discussion of additional chapters of the manual.

Now, click here to go to my blog where, at the top, you will find the links to download the complete “Chapter Three: Listening/Focusing Partnership Exchange” in English or Spanish if you haven’t already done this or ordered the complete manual or multi-media Self-Help Package in our Store.

Finding Your First Person Or Core Group

And just an easy reminder from last week’s lesson, if you haven’t yet taken that first step of finding one person or a small group to start practicing with:

Beginning your Listening/Focusing Practice Group can be as easy as finding one other person to share the Self-Help Package with. You will have a manual download in English or Spanish giving explicit instructions, two 2-CD sets explaining the basic philosophy and including many Focusing Exercises you can use to begin your meetings, and a two-hour DVD with four different demonstrations of being a Focused Listener while someone else is using Intuitive Focusing. All for the introductory price of $39 US!!!

You can get online support and answers to your questions as you try to proceed in the Creative Edge Practice e-group at http://yahoogroups.com/group/creativeedgepractice  .

Tell me what you think at cefocusing@gmail.com or comment on this blog below ! Or email your findings to The Creative Edge Collaborators’ Group. Join at http://groups.yahoo.com/group/creativeedgecollab 

 See blogs under Category: Conflict Resolution in the sidebar to find a complete mini-course on Interpersonal Focusing and Conflict Resolution, including Rosenberg’s Non-Violent Communication, Blanchard’s “One Minute Apology,” Patricia Evan’s books on Verbally Abuse and Controlling Relationships, McMahon’s Beyond The Myth Of Dominance, and much more.

Download complete Instant “Ahah!” Mini-Manual, in English and Spanish, from CEF Website

Find links to free articles, personality tests, multi-media Self-Help training, Classes and workshops

Dr. Kathy McGuire, Director

Creative Edge Focusing (TM)

www.cefocusing.com

The site of new insights and creative solutions is at the edge of what is already known. This edge, The Creative Edge, holds implicit within it all past and future knowing about the problem, more than could ever be put into words in a linear way 

STARTING A LISTENING/FOCUSING SUPPORT GROUP

By , May 7, 2008 5:16 pm

Starting Your Own Listening/Focusing Partnership or Group

In these weekly Felt Sensing newsletters of this four-week cycle, I will give instruction (including free Chapter downloads from the manual Focusing In Community: Starting A Listening/Focusing Support Group (Focusing en Comunidad) and encouragement for starting your own, local Listening/Focusing Practice Group.

Most people learn Intuitive Focusing more easily in the presence of a Focused Listener, an outside, non-judgemental “witness.” The Listener can use Pure Reflection to help you hear and resonate/check your own words against your “felt sense,” and Focusing Invitations to remind you to slow down, be quiet, and sense into the “bodily feel,” the Creative Edge. Only then can you let new words and images arise from that wealth of non-linear, right-brain information.The Listener can help you spot the many voices of your Inner Critic, Wounded Child, and other aspects of your experiencing.

I can think of no better way than a weekly group meeting to support you in developing “the habit of felt sensing,” a life style of paying attention to and spending time articulating the wealth of mind/body wisdom that comes every day as The Creative Edge. This “intuitive feel” of your situations, relationships, and creative problem solving contains the possibility of the Paradigm Shifts leading to the most innovative problem solving, the most lasting personal change.Not only will your group learn Listening and Focusing skills, but also you will reap the benefits of “bonding” that come from sharing your inner journey with another.

Finding Your First Person Or Core Group

Beginning your Listening/Focusing Practice Group can be as easy as finding one other person to share the Self-Help Package with. You will have a manual download in English or Spanish giving explicit instructions, two 2-CD sets explaining the basic philosophy and including many Focusing Exercises you can use to begin your meetings, and a two-hour DVD with four different demonstrations of being a Focused Listener while someone else is using Intuitive Focusing. All for the introductory price of $39 US!!!  Click here to explore this option in our Store.

Not ready to commit to a purchase? You can start by downloading the free PDF files, in English or Spanish of the Introduction to the manual which you will also find at the link above.  The Introductory Chapter gives many suggestions for finding people for your practice group. And next week you can download Chapter Three, explicit instructions for the first ten meetings of your Listening/Focusing exchange, here at this blog.

You can start just with one best friend or colleague who is already a great listener.
You can take the skills into an existing support group or work team.
You can do a presentation to the kind of people you would like in your group (counselors, church members, business colleagues, couples, parents, artists — your own peer group!). Or
You can take a Listening/Focusing Class from a Certified Focusing Professional and then carry on as a self-help practice group.

Here are the first pages of the Introduction to inspire you to action! You really can start your own group:

FOCUSING IN COMMUNITY: Introduction

Free sample excerpt of manual by Dr. Kathy McGuire, Creative Edge Focusing TM, www.cefocusing.com  , part of The Self-Help Package available in The Store :

INTRODUCTION

1. How to Use the Manual

The manual has been written so that any individual can

· sit down and read the manual;
· find a friend or two who will also read it and practice the skills in Part Two; and
· build a supportive community for himself.

However, the manual can also be used by professionals:

as the basis for a course in community mental health or counseling skills
as an aid in beginning supportive communities in a variety of settings.

It can be used by professionals and non-professionals alike who want to build non-hierarchical and emotionally supportive work environments for themselves.

The peer counseling model for community offered here also insures a further step toward intimacy to groups who are already meeting some needs through mutual support.The manual is based on thirty years of experience with groups in many contexts and is the best solution I have found to the difficulties of living, meeting and working collectively.

The manual teaches peer counseling skills of empathic listening and experiential focusing and tells how to use these skills to provide emotional support, to work through interpersonal conflicts, and to arrive at consensual, cooperative decisions. It tells how to build a peer counseling community, be it as small as four close friends or one open to anyone in a larger community who wants to come.

In a peer counseling community, there is no distinction made between helper and helpee. Everyone learns the core skills, Focused Listening and Intuitive Focusing. Participants exchange counseling turns as equals: I listen to you while you use Focusing on some concern of yours; then you listen to me while I use Focusing on my concern.

The depth of intimacy generated during the exchange of empathic listening turns grows into a feeling of connectedness and mutual regard which soon blossoms into a supportive community: a throughout the week network of friendships and mutually supporting relationships extending into all aspects of participants” life and work.

The manual should be useful to:

· helping professionals who bring people together for mutual support in a variety of settings, including churches, schools, prisons, halfway houses, community mental health centers, senior citizen centers, 12-Step organizations, hospitals;
· paraprofessionals who offer peer counseling through hotlines, crisis centers, student centers;
· self-help and support groups who want to deepen their level of sharing and commitment;
· businesses, non-profit organizations, and political groups who want to incorporate “the intuitive feel,” The Creative Edge, for innovative problem solving;
· those living in spiritual and other residential communities;
· individuals who are looking for their own solution to isolation and loneliness.

The skills described in the manual, and the theory behind them, can be easily comprehended and practiced by any individual or group of individuals who want to create a more intimate and healing environment for themselves.

Every person should have the skills to respond to emotional crisis, to be in touch with and to share his own inner experiencing, to resolve interpersonal conflicts, and to make decisions without conflict. The need for such skills arises constantly in everyday life: in marriage, friendship, the relationship between employer and employee, any attempt of people to meet or work together.

When such skills remain the province of mental health professionals alone, there is a general mystification which leads individuals to feel dependent upon mental health practitioners and, in the most damaging way, to perceive themselves as not responsible for their feelings and actions and their effects upon other people.

I hope through this manual to give confidence and skills to those wishing to understand the psychological and interpersonal phenomena which arise in everyday friendship and work and thereby to empower individuals.I have received some of my own best mental health care and mental health training in support groups and peer counseling groups. I have come to see the core skills of Intuitive Focusing and Focused Listening as the basis of “human literacy,” skills of “emotional and social intelligence.”

CLICK HERE FOR A LINK AT CREATIVE EDGE FOCUSING WHERE YOU CAN DOWNLOAD THE ENTIRE “INTRODUCTION,” IN ENGLISH OR SPANISH, AS A FREE PDF FILE.

AND/OR CLICK HERE TO VIEW A COMPLETE DESCRIPTION AND TO CONSIDER PURCHASING THE ENTIRE SELF-HELP PACKAGE FOR $39 (OR MANUAL DOWNLOAD ALONE FOR $5), WITH MULTI-MEDIA SUPPORT.

It is my hope that, before the end of this four-week cycle, you will have found at least one other person to practice Intuitive Focusing and Focused Listening with as the beginning of your own local practice group. The manual chapter gives many suggestions about how to find your first one or more people, how to present the idea, how to demonstrate the skills.

BUT ONLY YOU CAN TAKE THAT FIRST STEP OF FINDING SOMEONE, JUST THAT ONE, FIRST PERSON. From then on, you and your partner can support each other in enlarging the group, if you want.

You can get online support and answers to your questions as you try to proceed in the Creative Edge Practice e-group at http://yahoogroups.com/group/creativeedgepractice  . 

Tell me what you think at cefocusing@gmail.com or comment on this blog below ! Or email your findings to The Creative Edge Collaborators’ Group. Join at http://groups.yahoo.com/group/creativeedgecollab 

 See blogs under Category: Conflict Resolution in the sidebar to find a complete mini-course on Interpersonal Focusing and Conflict Resolution, including Rosenberg’s Non-Violent Communication, Blanchard’s “One Minute Apology,” Patricia Evan’s books on Verbally Abuse and Controlling Relationships, McMahon’s Beyond The Myth Of Dominance, and much more.

Download complete Instant “Ahah!” Mini-Manual, in English and Spanish, from CEF Website

Find links to free articles, personality tests, multi-media Self-Help training, Classes and workshops

Dr. Kathy McGuire, Director

Creative Edge Focusing (TM)

www.cefocusing.com

The site of new insights and creative solutions is at the edge of what is already known. This edge, The Creative Edge, holds implicit within it all past and future knowing about the problem, more than could ever be put into words in a linear way 

INTUITIVE FOCUSING AND SPIRITUAL EXPERIENCE

By , May 4, 2008 12:11 pm

EXPERIENCING THE SACRED

Intuitive Focusing and Focused Listening can be used purposefully to “attend to,” “sit with,” “articulate” the “intuitive feel” of spiritual experiences. But more importantly, the practice of Listening/Focusing opens our eyes to seeing the Sacred around us by encouraging attention to those moments when the Sacred enters our lives.

It’s called Immanent Spirituality, God as experienced in the world, moments when the Sacred underpinning of the world “breaks through” and becomes visible, palpable, feel-able. Experiential spirituality is separate from any particular sect or creed. You can incorporate it into any religion and into every day living without organized religion.

Frederic and Mary Ann Brussat call it Spiritual Literacy: Reading the Sacred in Everyday Life (Scribner, 1996), and their book jacket reads:

“These remarkable readings tutor us in the art of lingering with our experiences and seeing the world with fresh eyes — Life’s meaning and the presence of Spirit are found in the shape of a child’s foot, in an encounter with a wild animal, in the memories evoked by a rocking chair, in the process of doing a hobby, or in the messages on a computer screen.”

Like ideas and personal problems or interpersonal conflicts, spiritual experiences also have an “intuitive feel,” a Creative Edge that can be expanded upon and deepened by using the Intuitive Focusing process. If you have just an “inkling” or a “flash” of experience that feels Sacred, you can go back to that experience during a specific Focusing Process, recover the spiritual feeling, and find ways to carry it with you.

I will walk you through an actual session of Focusing upon an Experience of the Sacred which you have had, understanding it more deeply, and finding a way to bring it back consciously.

Exercise: Focusing on Spirituality: Experiencing The Sacred

(You can read these to yourself now, download them for repeated use, read them into a tape recorder for playback; leave at least one minute of silence between each instruction)

You will choose an experience to spend Intuitive Focusing (click here for a basic description) time on that had spiritual meaning for you, a moment when you might have said that you were experiencing God or The Sacred or Something Profound – often, this can be something that touched you or moved you, perhaps bringing a sheen of tears to your eyes. It might be a piece of music, a prayer or passage from the Bible, a poem, a sunset, the smile of a child, the touch of a friend.

By spending time with “the intuitive feel of it all,” you are going to make more words and meanings for what is Sacred, to you. Please find a comfortable chair in a quiet place, and give yourself at least 30 minutes for Intuitive Focusing:

Okay — first, just get yourself comfortable — feel the weight of your body on the chair — loosen any clothing that is too tight —
(One minute)
Spend a moment just noticing your breathing — don’t try to change it — just notice the breath going in — and out —
(One minute — )
Now, notice where you have tension in your body (pause) —
(One minute — )
Now, imagine the tension as a stream of water, draining out of your body through your fingertips and feet (Pause) —
(One minute — )
Let yourself travel inside of your body to a place of peace —
(One minute — )
Now, bring to mind an event or piece of music or art or religious symbol that felt Sacred, or had a spiritual significance for you (pause) — Take your time to find a powerful, meaningful symbol or event —
(One minute or more — )
Think about it or get a mental image of it — take your time to choose something that matters to you —
(One minute — )
Now, try to set aside all of your thoughts about this experience, and, as you carry a mental image of the event or symbol in your mind, just wait and see what comes in the center of your body, around your heart/chest area, in response (pause) — not words, but the intuitive feel of that whole thing —
(One minute or more — )
Now, carefully try to find words or an image for that intuitive feel — Go carefully back and forth between any words and the intuitive feel of the whole thing until you find words or an image that are just right for it —
(One minute — )
Now, gently ask yourself, “What was so important for me about that?” or, “What about that touched me or filled me with awe?”, and wait, at least a minute, to see what comes in the center of your body, the place where you feel things —
(One minute or more — )
Again, carefully find words or an image that exactly fit that felt experiencing —
(One minute or more — )
Now, ask yourself, “And what was so Sacred to me about that, what do I mean by ‘Sacred’?” and, again, wait quietly, for at least a minute, to see what comes in the center of your body, without words, just the “feel” of “the whole thing” about “Sacred.”
(One minute or more — )
And find some words or an image to capture that “whole thing,” The Sacred —
(One minute or more — )
Now, ask yourself, “Does that capture what I mean by ‘spiritual’?”, and, again, don’t answer from your head, what you already know, but wait, as long as a minute, for an answer to come in the center of your body, your wordless intuition, The Creative Edge —
(One minute or more — )
Again, carefully find words or an image for that, and check, “Is that it?” —
(One minute — )
If the answer is “Yes,” a release of bodily tension, a sense of “rightness,” then turn your attention to noticing any “spiritual” experiences that are present around the edges of this experience, right now — feelings of Sacredness, of floating in Oneness, of Awe or Gratitude, of being moved or touched with tears — stay with these immediate spiritual feelings as long as you like —
(One minute or more — )
Try to find an image or other symbol or gesture that might serve as a “handle” for this particular spiritual feeling, something that would remind you of how to find your way to this place again, at any time during the day when you want to revisit the Experience of the Sacred —
(One minute or more)
And, when you are finished, come back into the room.
If the answer is “No,” your body remains tense, then, set aside everything you have already thought and tried and ask your body, The Creative Edge, again: “What is Spirituality for me, and where might I find it?”, and, again, wait, as long as a minute or more, to see what comes in the center of your chest, an intuitive “feel” for the whole thing —
(One minute or more — )
Take a moment, again, to carefully find words or an image for whatever has come —
(One minute or more — )
Keep at this as long as you are comfortable, asking an open-ended question, waiting for an intuitive sense of “the whole thing” to emerge, looking for words or an image or even a gesture or action step that fits the intuitive feel “exactly.”
(One minute or more — )
But, if no clear “felt” experiencing of Spirituality arises, just remind yourself that, by spending Focusing time sitting with The Creative Edge, you have added energy and started a new living-forward, and, especially if you continue to hold “the feel of it all” on the back-burner of your mind, later something new will likely pop up —
(One minute)
Appreciate yourself and your body for taking time with this, trusting that taking time is the important thing – new experiences can then arise later.
(One minute or more — )

Remember, Intuitive Focusing is often learned more easily in the company of a Focused Listener. Go to Creative Edge Focusing TM at www.cefocusing.com  to find many resources, from self-help groups to Creative Edge Focusing Consultants for individual Coaching or Classes and Workshops.

Tell me what you think at cefocusing@gmail.com or comment on this blog ! Or email your findings to The Creative Edge Collaborators’ Group. Join at http://groups.yahoo.com/group/creativeedgecollab 

 See blogs under Category: Conflict Resolution in the sidebar to find a complete mini-course on Interpersonal Focusing and Conflict Resolution, including Rosenberg’s Non-Violent Communication, Blanchard’s “One Minute Apology,” Patricia Evan’s books on Verbally Abuse and Controlling Relationships, McMahon’s Beyond The Myth Of Dominance, and much more.

Download complete Instant “Ahah!” Mini-Manual, in English and Spanish, from CEF Website

Find links to free articles, personality tests, multi-media Self-Help training, Classes and workshops

Dr. Kathy McGuire, Director

Creative Edge Focusing (TM)

www.cefocusing.com

The site of new insights and creative solutions is at the edge of what is already known. This edge, The Creative Edge, holds implicit within it all past and future knowing about the problem, more than could ever be put into words in a linear way 

CREATIVITY = THINKING OUTSIDE THE BOX = PARADIGM SHIFTS

By , April 23, 2008 4:38 pm

PRISMS/S PROBLEM SOLVING PROCESS AND PARADIGM SHIFTS

Creative genius includes thinking “outside the box,” setting aside preconceived concepts and ideas and being able to “look at” a problem from a totally new angle. Actually, this “looking at” is really the “sitting with” the “intuitive feel,” the fresh, present “felt experiencing” that underlies existing concepts and can lead to the articulation of new, non-linear, creative ideas. Gendlin’s Focusing (Bantam, 1981, 1984), and Dr. McGuire’s Intuitive Focusing, are the pre-eminent approaches for setting aside existing preconceptions, and finding and “sitting with” fresh, preverbal experiencing, the hotbed of new ideas and creative solutions. Below I review some traditional methods for “shaking up” old structures to allow new ideas to become available, then I add the Intuitive Focusing skill into the mix.

In his e-newsletter, The Simple Truth’s Newsletter,Mac Anderson reviews cutting-edge models for increasing creativity and innovation. In the newsletter quoted below, he leads to a link to a beautiful, three-minute video clip which exactly captures the essence of “the paradigm shift”:

“Dear Kathy,
Tom Peters gets it. He said…
“I’ve spent a good part of my life studying economic successes and failures. Above all, I’ve learned that everything takes a back seat to innovation.”
Tomorrow comes at us with lightning speed, and your competitive advantage is a fleeting thing. As leaders, we must create an environment that puts innovation front and center. Your people must know it is the key to your company’s survival.
You must create a climate that rewards risk and creative effort. Your people must not fear mistakes, but understand that honest mistakes can be life’s main source for learning.
SO TEACH THEM TO FAIL QUICKLY, AND OFTEN, TO ENABLE THEM TO REACH THE NEXT PLATEAU.
Every now and then a simple book comes along that deals with a profound subject in an unforgettable way. Paper Airplane is that book; and it teaches a valuable lesson about courage and creativity for people of all ages. It takes less than 30 minutes to read, but the “a-ha moments” are priceless. It’s one of my all time favorites.
So, if you haven’t seen Michael McMillan’s 3 minute inspirational movie titled Paper Airplane, you’re in for a treat! Just click on the link below and share it with friends and co-workers.
http://www.paperairplanemovie.com/ “

Usually, consultants coming in to help corporations with “creativity and innovation” provide a variety of games and other experiences which allow participants to “drop” or “step out of” existing schemata and access the fresh, new pre-verbal experiencing from which new paradigms can be articulated. Here is an introduction to one such “package” of “shake up” exercises:

“WHAT THE CATERPILLAR CALLS THE END OF THE WORLD, GOD CALLS A BUTTERFLY
If you always think the way you’ve always thought, you’ll always get what you always got. The same old, same old ideas over and over again. The future belongs to those thinkers who embrace change, break new ground, forge new paths, and transform the way they think. Discover how to look at the same information as everyone else and see something different by using the creative thinking techniques and strategies that creative geniuses have used throughout history.
Internationally acclaimed creativity expert Michael Michalko’s Thinkertoys: A Handbook of Creative Thinking Techniques have inspired business thinkers around the world to create the innovative ideas and creative strategies they need to achieve unimaginable success in today’s changing business environment of complexity and uncertainty. Change the way you look at things and the things you look at change.
[Available at www.amazon.com, Barnes & Noble, and most major bookstores. Visit www.creativethinking.net for more detailed information on these inexpensive workbooks.]”

DeBono’s Six Thinking Hats, and Parallel and Lateral Thinking (description of trainings and books to purchase) approaches are at the cutting-edge of creavity as breaking out of old structures, accessing the new.

Mind Mapping Techniques (http://www.mindmapper.com/?gclid=CMHz54C975ICFQJtlgodQT-75w for a complete description) are another method for breaking out of linear thought structures and allowing the presentation of facets of problem/solution from the non-linear, “intuitive feel” of “the whole thing.” Intuitive Focusing: “Direct Access” to Paradigm ShiftingAs I presented last week, Flavia Cymbalista has helped George Soros and others dealing with the complexity and uncertainty of financial markets to use Gendlin’s Focusing to articulate from the “intuitive feel” in her Market Focusing  approach at www.marketfocusing.com .

While games and exercises can “shake up” thinking from the outside in, at some point, the “new” answer emerges because someone in the group becomes free of old concepts and able to access The Creative Edge, the preverbal “felt sensing” of new possibilities. Intuitive Focusing allows anyone to access the Creative Edge of new, non-linear problem solving at any time.Rather than looking to the outside for new ideas, the Focuser goes inside, getting in touch with the raw, new, “preverbal” complexity of situations from which new solutions, Paradigm Shifts, emerge.

Reflecting Before Acting or Reacting

The radical contribution of Gendlin’s Focusing (Bantam, 1981) and McGuire’s Creative Edge Focusing ™ is that the problem solver makes the explicit choice to pause and take some moments for silent reflecting before acting or reacting. Instead of simply repeating past reactions, the Focuser can create new, completely innovative solutions and behaviors from the “intuitive feel” of the whole situation.A quiet pause is needed in order to sense into the “intuitive feel,” The Creative Edge, of problems. Whether in private or in group decision making settings, these opportunities for pauses to contact and articulate the Creative Edge are what allow the creation of totally new ideas and solutions. No pauses, no creation of the new!!!!!Using the PRISMS/S Problem Solving Process is like passing light through a prism. A few moments of pondering, and The Creative Edge opens into a whole spectrum of new possibilities and action steps.

Pausing To Ponder: From Problems To Possibilities

The PRISMS/S Problem Solving Process includes seven ingredients of predictable “Ahah!” experiences using Creative Edge Focusing ™. With its Core Skills of Intuitive Focusing and Focused Listening , PRISMS/S is based upon Eugene Gendlin‘s “A Theory of Personality Change” (link to Gendlin Online Library at www.focusing.org, where you will find all of Gendlin’s articles for free download) and his Focusing self-help book (Bantam, 1981), as well as Dr. McGuire’s thirty years of  experience integrating Listening/Focusing skills into task-oriented groups and supportive communities.

PRISMS/S is Dr. McGuire’s attempt to create an easily teachable rubric, especially applicable to business settings,  combining Gendlin’s 6-Step Focusing Process with the unfolding steps of change, the “felt shift,” or “paradigm” shift facilitated by Focusing.

PRISMS/S can be used on one’s own or with the help of Focused Listening in a Creative Edge Focusing Partnership, Focusing Group or Team, or Focusing Community. In any case, problem solving goes through the following steps:

Pausing :  Clearing A Space for Problem Identification
Reflecting: Listening To Oneself or
Focused Listening from Another 
Intuitive Focusing:  Back-and-Forth Between Symbols and Intuition
Shifting:  The Kaleidoscope Turns And A New Paradigm Arises
Movement:  Innovative Solutions and Action Steps Arise Spontaneously
Satisfaction:  Tension Releases in the Sureness of “Ahah! That’s It!”
Support: Listening/Focusing Partnerships Build Empathy and Community

Click here to read and download the complete description of the steps of PRISMS/S from www.cefocusing.com. You will find there a link to the Spanish translation as well.

Focusing Partnerships, Groups/Teams, Communities

While anyone can learn to use PRISMS/S for creative problem solving on one’s own, the process can be greatly facilitated by having an outside Focused Listening Partner. Read about all the options for Focusing Alone, Focusing Partnership, Focusing Groups/Teams, etc. under Case Studies at www.cefocusing.com .

If you do not have a Listening/Focusing Partnership, consider whether there is a colleague at work, a friend or family member who is already an excellent listener and might be interested in learning the formal Listening/Focusing Partnership method with you. Then, use the multi-media materials in our Self-Help Package or the free download of Chapter Three: The Listening/Focusing Exchange (a link at the top of this blog entry ). You can also enroll in Listening/Focusing Classes/Workshops internationally  with Certified Focusing Professionals or bring in Creative Edge Consulting for onsite training.

The Blurry, Vague, “Feel of the Whole Thing” Holds The Next Steps

   

I invite you to use Intuitive Focusing again below to find next steps on a “creative project”: an article, a book, a poem, a song, a dance, a marketing campaign, an engineering breakthrough, some project needing creative ideas.

If you need to work more specifically on “blocks” to creativity, you could use Cornell and McGavin’s technique from last week, using Focusing to give a gentle hearing to the “part” that wants to “hold back,” as well as the “part” that wants to “go forward,” until steps toward resolution arise (Week Two Treasures In Blocks).

Focusing On A Creative Problem or Project

Click here to find the complete Intuitive Focusing exercise in e-newsletter archives

Remember, it is often easier to learn Intuitive Focusing with the company of a Focusing Listener. See links below to find many resources, including self-help groups, and Creative Edge Focusing Consultants for individual Coaching or Classes and Workshops.

Download complete Instant “Ahah!” Mini-Manual, in English and Spanish, from CEF Website

Find links to free articles, personality tests, multi-media Self-Help training, Classes and workshops

Dr. Kathy McGuire, Director

Creative Edge Focusing (TM)

www.cefocusing.com

The site of new insights and creative solutions is at the edge of what is already known. This edge, The Creative Edge, holds implicit within it all past and future knowing about the problem, more than could ever be put into words in a linear way 

CREATIVITY, INTUITION, AND GLADWELL’S “BLINK THINKING”

By , April 18, 2008 2:54 pm

INTUITIONS GUIDE CREATIVE DECISION MAKING

 

“Blink Thinking”

 

In his best-selling book, Blink: The Power of Thinking Without Thinking(Little Brown, 2005), Malcolm Gladwell justified the importance of intuitive, “gut” thinking in decision making. In fact, he pointed out that, contrary to our assumptions about our rationality, many high-level decisions are based more upon a “gut sense” or a “blink of an eye” impression than upon rational, logical thinking.

 

When they believe they are using objective indicators for choices, people are often influenced by subjective, peripheral factors “outside of awareness.” For instance, for generations, classical music orchestras believed that women could not master the instruments or the nuance of the music. Women were seldom hired.

Then, orchestras started having performers audition behind a screen, cutting out visual cues in making hiring decisions. To everyone’s surprise, chosen through “listening” alone, women were actually chosen a majority of the time, even for instruments “presumed” to be more “masculine,” like French Horn and other brass instruments.

 

Gladwell distinguished between two kinds of intuitive decision making:

·        In the one case, a person has a “gut sensing,” an unclear, preverbal “feel” about something, which is very real and substantial and resilient, impossible to put aside or ignore, even though words for it can’t be found. An example: some museum curators have a “sense” that there is something wrong about an antique statue. They don’t know what it is, but their “body-sense” tells them there is something. Eventually, following this “intuition,” they discover concrete evidence that it is a facsimile.

 

·        In the second case, a person makes a decision in “the blink of an eye,” without even awareness of an “intuitive feel” but out of an immediate, precognitive assessment of a situation. An example: a fireman deciding where to step, which way to go, what to do in a split-second emergency situation.

 

Gladwell says that we can’t really “unpack” our “gut senses.” However, although this is true about the split-second decisions in emergency situations, it is not true for the more common situations in his first case, where there is a gnawing, long-lasting “gut sensing,” an “intuitive feel,” for which words HAVE NOT YET been found. In these latter situations, Intuiti Focusing, “sitting with” the “intuitive feel” of “the whole thing,” and carefully looking for words and images which are exactly “right” in capturing this preverbal “intuition,” is a premiere way for increasing the usefulness of “intuitive” or “gut” information.

 

Using Intuitive Focusing In Situations Of Uncertainty

 

In her Market Focusing approach (www.marketfocusing.com ), Flavia Cymbalista  taught Gendlin’s Focusing to people like George Soros, financier, and others needing to make decisions in situations of “uncertainty”, like the ever-changing stock market. Traders often had to follow their “intuition” and wished for something more substantial to base decisions upon.

 

Soros thought he used logical, rational indicators for decisions. Through work with Cymbalista, he realized that, actually, he got a “pain in his back” when his portfolio needed adjusting, and the pain disappeared when he got it “right.” He was following an “intuition,” a “bodily feel” without words. He and others learned that consciously using Gendlin’s Focusing to find words and images for “gut intuition” allowed even greater access to the “intuitive feel” for market decisions.

 

“Gut Sensing” Is Everywhere In Creative Decision Making

 

Here are just a few situations where pausing for some minutes of Intuitive Focusing can provide a way forward:

 

·        You have a “gut feeling” of exactly what problem you want to work on, but you don’t have any words or images to describe it.

·        Your boss hands you a problem to solve out of the blue, and you have no idea where to begin, how to approach it.

·        You are “stuck” on a creative project, “blocked,” no inspiration about where to go next.

·        You know that something is bothering you, your whole body is tense, you can’t sleep, but you have no idea what the problem is.

·        You have an”inkling,” an “intuition,” but you can’t put it into words.

·        You have a “hunch” about what to do, an action you want to take, but you can’t verbalize any reasons to justify it.

·        You wake up with the “feel” of a forgotten night-time dream.

·        You have a wonderful feeling of well-being, a “spiritual” feeling, and you would like to spend more time with it, finding a way to describe it.

·        You have an uncomfortable feeling after an interaction with someone, but you don’t know exactly what it is about, so you don’t know what to do about it.

·        You know exactly what you want to do but find yourself blocked, unable to move forward.

·        You might have no feelings, no creative ideas. You feel like a flat piece of concrete.

·        You feel totally stressed out, confused, overwhelmed —

 

Focused Listening To Aid In Creative Problem Solving

 

While a person can use Intuitive Focusing on their own to find words for “gut sensing,” having the help of a Focused Listener, in aFocusing Partnership or Focusing Group/Team, can make this process of “finding words” easier. Here is a hypothetical example.

 

The Focuser sits with The Creative Edge, the murky, intuitive “feel” of the whole Gestalt, and attempts to make new words and images using the Intuitive Focusing skill. The Listener uses Pure Reflection, simply saying back the words and images of the Focuser, without judgment or advice, and with emphasis upon reflecting “the unclear edge,” the “bodily, intuitive feel.”  The Focused Listener can reflect back the Focuser’s actual words as well as the less-clear nuances, until the Focuser finds exactly the right new symbolizations to capture The Creative Edge.

 

 Example:

 

The Focuser starts out with a “gut sense” about a problem. He knows there is something wrong, but he can’t put his finger on what that is nor on a solution:

     

 Focuser: “There is something about the mechanical execution of this model that is not going to work — I don’t know what it is, but I can sense it. I’m uneasy about it —“

       Listener: “So there’s an uneasiness there — something not right about the

    mechanical execution —“

Focuser: (sitting quietly, pondering at the Creative Edge — ) “All I get so far is an image of red intertwining with white, two triangles intersecting — “

Listener: “So there’s an image — two triangles intersecting — red and white intertwining —“

Focuser: (some excitement in voice, opens eyes) Let me draw that (starts drawing with pen and paper, grabs red and white chalk — soon, a gear-like drawing emerges) —(evident excitement) Yes, it’s something there , in that gear box!!!

Listener: “So, you can see clearly now — it’s something in that particular gear box — “

Focuser: (closes eyes) “Let me sense into that some more (sits quietly, pondering at The Creative Edge — over a minute — ) — something, something twisty there —“

Listener: “Twisty —“

Focuser: (more closed-eyed Focusing, pondering at The Creative Edge — minute or more — sighs, shifts in seat — more pondering —)”Hmmmm — I think I’m getting it — something about the ratios there, the red too dominant over the white — “

Listener: “The ratios — red over white —“

Focuser: “I’ve got it — needs to be 8:6!”

 

Clearly, the Listener doesn’t even have to understand what the Focuser is talking about, but, still, having that outside person offering Reflection can carry forward the process of creating new symbolizations out of The Creative Edge.

 

Even though Focused Listening allows the Listener to occasionally use other kinds of responses (Asking For More, Focusing Invitations, and Personal Sharings), pure reflection is still the most powerful form of response to someone using Intuitive Focusing at The Creative Edge.

If you do not have a Listening/Focusing Partnership, consider whether there is a colleague at work, a friend or family member who is already an excellent listener and might be interested in learning the formal Listening/Focusing Partnership method with you. Then, use the multi-media materials in our Self-Help Package or the free download of Chapter Three: The Listening/Focusing Exchange (a link at the top of this blog entry )

The Blurry, Vague, “Feel of the Whole Thing” Holds The Next Steps

   

I invite you to use Intuitive Focusing again below to find next steps on a “creative project”: an article, a book, a poem, a song, a dance, a marketing campaign, an engineering breakthrough, some project needing creative ideas.

If you need to work more specifically on “blocks” to creativity, you could use Cornell and McGavin’s technique from last week, using Focusing to give a gentle hearing to the “part” that wants to “hold back,” as well as the “part” that wants to “go forward,” until steps toward resolution arise (Week Two Treasures In Blocks).

Focusing On A Creative Problem or Project Click here to find the exercise

Remember, it is often easier to learn Intuitive Focusing with the company of a Focusing Listener. See links below to find many resources, including self-help groups, and Creative Edge Focusing Consultants for individual Coaching or Classes and Workshops.

Download complete Instant “Ahah!” Mini-Manual, in English and Spanish, from CEF Website

Find links to free articles, personality tests, multi-media Self-Help training, Classes and workshops

Dr. Kathy McGuire, Director

Creative Edge Focusing (TM)

www.cefocusing.com

The site of new insights and creative solutions is at the edge of what is already known. This edge, The Creative Edge, holds implicit within it all past and future knowing about the problem, more than could ever be put into words in a linear way 

FOCUSING AND CREATIVITY: FINDING TREASURE IN BLOCKS

By , April 16, 2008 4:04 pm

RELEASING BLOCKS TO CREATIVITY

“Treasure Maps To The Soul”

Ann Weiser Cornell and Barbara McGavin, Certified Focusing Trainers, have made a life’s work at discovering the treasures that lie within our deepest conflicts, action blocks, addictions, depression, and other forms of “stuckness.” They have developed a workshop called “Treasure Maps To The Soul” which introduces participants to many forms of “stuckness,” like the Swamp, The Fog, The Dragon, and how to use Focusing to find the treasure, the life-direction forward, in each of these blocks.

Central to their method is “the radical acceptance of everything.” Taking a neutral position of Presence inside, the Focuser then welcomes and greets with curiosity ANY inner experience that wants to come forward, without judgment. With respectful and compassionate Listening to EVERY part, EVERY aspect, their Inner Relationship Focusing allows even the most hated “blocks” and “critics” to soften, to express their own positive wants and needs and wishes to protect the Focuser.

In experiencing a “block,” there is a “part” of us that wants to go forward, to do our creative project, and a “part” that holds us back. We plan to paint, and never get to it. We sit down to write, and become totally blank, feeling suffocated. We try to write a report, and find ourselves daydreaming. Usually, we try to “beat up” or “beat down” the “part” that we see as getting in the way, holding us back.

In Focusing, we stop this inner battle and finally turn with compassionate Listening to this blocking part, asking, “Okay, what is going on for you — ?  What do you need?— What are you trying to protect us from?—How can I allow you to be welcome and present while we attempt this task?” And the Focuser also then takes time to Listening with compassionate curiosity to the “part” that DOES want to go forward, its needs, wishes, fears, hopes, etc.  By going back and forth between the two, Focusing allows something to “shift” inside, and a new possibility for going forward to arise. Here is the Introduction to one of Ann’s Articles from her website for Focusing Resources:

 

How To Use Focusing To Release Blocks To Action

by Ann Weiser Cornell, PhD
This article originally appeared in the January 1993 issue of The Focusing Connection (Subscribe).
Writer’s block, procrastination, being a pack rat… all these are action blocks. If you want to start an exercise program but you don’t, if you want to keep your desk clean but you don’t, if you want to be more creative but it just doesn’t happen, you are experiencing an action block–and Focusing can help. Action blocks are painful, and everyone experiences them at times. For some people, the struggle dominates their lives. Are you familiar with wanting to do something day after day, even cursing and criticizing yourself for not doing it? Do you know about making resolution after resolution, even changing for a little while, but always sliding back? Wouldn’t you love to be able to break that cycle and act easily and confidently instead? Focusing releases the stuck system by changing the dynamic that holds the action block in place. In an action block, there is a part of you that isn’t being heard. Ironically, that’s the same part of you that seems to be in charge: the one that isn’t taking action. It has you in its iron grip, and yet it’s lonely, isolated, unacknowledged. No one has really asked it yet, “How come you’re so set against taking action?” (Remember, being sure that you already know why is not the same thing as asking it!) The Focusing process starts by bringing in self-compassion instead of self-criticism. This alone begins the process of release, because self-criticism is the glue that holds the action block in place. It’s funny, isn’t it, that it often feels like just the opposite is true? I feel like my criticism of the part of me that won’t exercise is my only hope of moving it, and that if I accept it, it will really take over my life! But actually, self-criticism holds the system in place because it ensures that the criticized part will not be heard, and everything will stay the same. And remember: compassion and acceptance are not the same as agreement or giving in. I can still want to change, while being compassionate to the part of me that doesn’t want to. Through Focusing, we create an inner atmosphere of safety, where any part of us can be heard without being attacked or criticized. This is important, because if you want to hear the truth and be released, you can’t put pre-conditions on what you hear. “You can tell me anything except…” just won’t work. In Focusing, it is quite literally true that the truth will set you free. So if you want to set the stage for allowing truth to come, start with an inner atmosphere of compassion, if possible. (If something in you says “No” to being compassionate, see if you can be compassionate to that!)

Listening to the Part that Blocks You —“
READ ON AT ANN’S WEBSITE and check out the many other great articles in her Library and Workshop Offerings.

FOCUSING EXERCISE: RELEASING BLOCKS TO CREATIVITY

Last week, we used Focusing just to work with the “intuitive feel,” the “bodily-felt sense” of next steps in a creative project. We will return to this. But, for today, I ask you to look for a place in your life where you are “stuck” or “blocked” in terms of a creative project, where you are trying to move forward but continuously are holding yourself back at the same time. To begin the Focusing Exercise below, I will ask you to scan your life and choose a “blocked project,” then lead you through Focusing instructions which allow you to “listen to” both sides in the conflict, allowing new possibilities for moving forward to emerge:

 Leave at least one minute of silence between each instruction

(One minute)

Okay — first, just get yourself comfortable — feel the weight of your body on the chair — loosen any clothing that is too tight —

(One minute)

Spend a moment just noticing your breathing — don’t try to change it — just notice the breath going in — and out —

(One minute —)

Now, notice where you have tension in your body (pause) —

(One minute — )

Now, imagine the tension as a stream of water, draining out of your body through your fingertips and feet (Pause) —

(One minute — )

Let yourself travel inside of your body to a place of peace —

(One minute — )

Now, bring to mind a creative problem or project that needs attention, particularly one where there is some blockage to forward movement. Take as long as you need to scan your life, looking for something with this kind of “stuckness” (pause) —

(One minute or more — )

Choose one “blocked” project, and spend a moment just bringing it fully to mind, thinking about where you are in relation to it, where you “left off,” the “next step,” the “block” —

(One minute — )

Now, try to set aside all of your thoughts about the situation and possible solutions, and, as you carry a mental image of the problem or project in your mind, just wait and see what comes in the center of your body, around your heart/chest area,  in response (pause) — not words, but the intuitive feel of the whole situation, The Creative Edge —

(One minute — )

Now, carefully try to find words or an image for that Edge — Go carefully back and forth between any words and the intuitive feel of the whole thing until you find words or an image that are just right for it —

(One minute — )

Now, gently ask yourself, “What is in the way here? What is the body-sense for the part that gets in the way, doesn’t want to work on the project”, and wait, at least a minute, to see what comes in your wordless intuition, your whole-body sense, The Creative Edge —

(One minute —)

Carefully look for some words or an image or metaphor that exactly fit that Edge —

(One minute — )

Now, ask that “resisting” or “critical” part, “What is this like for you? Why are you holding back? Is there something you are wanting to protect me from? Is there something you are wishing for?”  Take some time just to “listen to” how it is for this part of yourself. Go back-and-forth between words/images and the “bodily feel” of that part until you have captured the “feel of it all” —

(One – three minutes — )

Now, turn your attention to the other side, the “part” of you that wants to move forward, to tackle the project, to have the pleasure of creating. Spend some time looking for the “intuitive feel” of this forward-moving, creating part or energy.  Don’t answer from your head, what you already know, but wait, as long as a minute, for an answer to come in the center of your body, your wordless intuition, The Creative Edge —

(One minute — )

Again, carefully find words or an image for that, ” the part that wants to create” Weiser Cornell suggests that you imagine yourself working on the project, being free-flowing creative, and get the “body-feel” for what that is like, and find some words or images/metaphors to capture that–

(One to three minutes — )

And ask that part some open-ended questions, like “What is this like for you, being creative?— What are you wanting/needing?— What is a first step you can imagine for moving forward?”. Again, don’t answer from your head, but wait as much as a minute for “the feel of that whole thing” to arise, and then carefully go back-and-forth, finding words/images/metaphors/gestures to capture the “intuitive feel.”

(One to three minutes —)

Continue in this way, going back and forth between the two sides, asking each, “And how is that for you?” , waiting to see what comes in your body, finding words and images for that, letting each side fully express itself.  If other “parts” arise, make room for them as well, giving them time to express themselves.

As you spend compassionate, non-judgmental Listening time with each aspect of the situation, you will find the different “sides” softening and blending, becoming more understanding of each others’ needs, more willing to look for an acceptable “next step forward.”

Weiser Cornell and McGavin suggest you pay special attention to what the “blocking, holding back” aspect is “afraid of” or “wanting to protect” the Focuser from, and what it does want for the Focuser. They find that Critical and Blocking parts are often motivated by FEAR and think they are working in the best interest of the person, guarding and protecting from fearful outcomes in the only way they know how.

Spend as long as is comfortable listening to the various aspects of your “conflicted” situation, looking for a possible step forward. If no clear next step arises, just remind yourself that, by spending Focusing time sitting with The Creative Edge, you have added energy and started a new living-forward, and, especially if you continue to hold “the feel of it all” on the back-burner of your mind, later something new will likely pop up —

(One minute)

Appreciate yourself and your “subconscious,” the “intuitive feel,” for taking time with this, trusting that taking time is the important thing — solutions can then arise later.

Remember, it is often easier to learn Intuitive Focusing with the company of a Focusing Listener. See links below to find many resources, including self-help groups, and Creative Edge Focusing Consultants for individual Coaching or Classes and Workshops.

Download complete Instant “Ahah!” Mini-Manual, in English and Spanish, from CEF Website

Find links to free articles, personality tests, multi-media Self-Help training, Classes and workshops

Dr. Kathy McGuire, Director

Creative Edge Focusing (TM)

www.cefocusing.com

The site of new insights and creative solutions is at the edge of what is already known. This edge, The Creative Edge, holds implicit within it all past and future knowing about the problem, more than could ever be put into words in a linear way 

INTUITIVE FOCUSING AND CREATIVITY

By , April 12, 2008 2:15 pm

FOCUSING ON THE CREATIVE EDGE

“Sitting with” The Unclear Edge

 

Intuitive Focusing,  applied to creative expression, is a methodical, predictable road to “Ah, hah!” experiences.  Gendlin’s Focusing (Bantam, 1981, 1984) is a step-wise procedure for paying attention to the murky, intuitive, whole-body “feel” of a creative project and going back-and-forth between this Creative Edge and words or images for describing it. When you hit on just the right words or image, you will experience that “Ah, hah! — Yes, that’s it. That is exactly the next step.” With continued rounds of Focusing, you can carry the creative project through many steps of problem-solving.
 
Focusing simply provides specific steps to encourage the “Ah, hah!” process which creative people have always accessed, usually accidentally. Fortunately, the “unconscious,” or the concretely available Creative Edge, “the intuitive body sense,” can carry more information, all at once, in that murky, wordless “feel,” than we can ever carry in our minds consciously. So, during Focusing, the creative problem-solver has access to “all of it,” “the whole thing,” more than could ever be recited consciously.

From Creative Block To Next Step

 

  • For example, a painter is stuck on what a particular painting needs next, right now. She can step back, take a look, and then, ask herself, “What does this painting need?” and, instead of answering from her head, the already-known, she can wait, as long as a minute or more, for the bodily-feel, the intuitive sense, the Creative Edge of “the whole thing, and what it needs now — ” to arise as a murky, wordless “feel,” usually in the center of the body, between the throat and stomach — “What does it need?” — and waiting, just paying attention to the intuitive feel — then carefully looking for words or an image or just the right gesture, the next painterly act, the next step toward “completion.”  Stuck again later? Just follow the same process, stepping back, sensing in, waiting for “the exactly right” next move to arise.

  • A writer is stuck in a novel: “What does this story need? What does this character need? What happens next?” Again, the writer steps back, takes a moment to go quietly inside, perhaps with eyes closed, and sits with the creative question, setting aside any already-known guesses or solutions, and just waiting, for at least a minute, for the intuitive feel of the “whole thing — this whole question” to arise.  Then, just as carefully, he looks for words or images or metaphors that are exactly “right” in capturing the “feel of it all.”  And, then, “Ah, hah! That is exactly it.” Or, in writing even more than in painting, he can try out the body’s best guess, and, again, check with the body sense: “Is that it?”

  • Same thing for creative problem solving in a business, engineering, scientific research situation. When “stuck,” not knowing the answer in a left-brain way, the problem solver can simply pause for a moment, go quietly inside, and look for the Creative Edge, the “intuitive feel” for “this whole problem,” wait at least a minute for the intuitive feel to form, then use Intuitive Focusing to carefully find the exact words or images which ,”fit,” bringing that experience of “Ahah! That is exactly it!”

Often, naturally, artists, writers, dancers “check in” with their “intuitive feel” for a project at many steps throughout the creative process. Learning Intuitive Focusing as a specific Skill will enhance this natural process, as well as giving you a reliable tool for those times when you are “stumped” or “blocked” about what comes next.

The Blurry, Vague, “Feel of the Whole Thing” Holds The Next Steps

Intuitive Focusing is one-half of the two Core Skills of Creative Edge Focusing ™. Focusing can be used any time to find out what is bothering you. Focusing specializes in sitting with the vague, wordless intuitive sense that there is something — something you can’t quite put your finger on or put into words, but something definitely determining your behavior or how you feel or the inkling of an idea or solution —

Intuitive Focusing can be used not just for personal problem-solving but for sitting with The Creative Edge of anything: a piece of creative art or writing, an exciting professional problem to solve, a good feeling that has a spiritual edge —

FOCUSING EXERCISE: “SITTING WITH” THE UNCLEAR EDGE OF A CREATIVE PROJECT

I ask you to choose one or more “creative projects” you can spend Focusing time with during this four-week cycle: an article, a book, a poem, a song, a dance, a marketing campaign, an engineering breakthrough, some project needing creative ideas. This week, we will use Intuitive Focusing on the creative project itself. Next week, we will work more specifically on “blocks” that come up.

Focusing On A Creative Problem or Project

 

(You can read these to yourself now, download them for continuous use, read them into a tape recorder for playback .  Leave at least one minute of silence between each instruction)

(One minute)

Okay — first, just get yourself comfortable — feel the weight of your body on the chair — loosen any clothing that is too tight —

(One minute)

Spend a moment just noticing your breathing — don’t try to change it — just notice the breath going in — and out —

(One minute —)

Now, notice where you have tension in your body (pause) —

(One minute — )

Now, imagine the tension as a stream of water, draining out of your body through your fingertips and feet (Pause) —

(One minute — )

Let yourself travel inside of your body to a place of peace —

(One minute — )

Now, bring to mind a creative problem or project that needs attention (pause) —

(One minute or more — )

Think about it or get a mental image of it —

(One minute — )

Now, try to set aside all of your thoughts about possible solutions, and, as you carry a mental image of the problem or project in your mind,  just wait and see what comes in the center of your body, around your heart/chest area,  in response (pause) — not words, but the intuitive feel of the whole situation, The Creative Edge —

(One minute — )

Now, carefully try to find words or an image for that Edge — Go carefully back and forth between any words and the intuitive feel of the whole thing until you find words or an image that are just right for it —

(One minute — )

Now, gently ask yourself, “Is that it? Would that work here?”, and wait, at least a minute, to see what comes in your wordless intuition, your whole-body sense, The Creative Edge —

(One minute —)

Again, carefully find words or an image that exactly fit that Edge —

(One minute — )

Now, try that possible solution out in the creative situation, either in your imagination or by actually writing, painting, tinkering with a model —

(One minute — )

Now, ask yourself, “Does that work?” and, again, don’t answer from your head, what you already know, but wait, as long as a minute, for an answer to come in the center of your body, your wordless intuition, The Creative Edge —

(One minute — )

Again, carefully find words or an image for that, “Does that solution work?” —

(One minute — )

If the answer is “Yes,” a release of bodily tension, a sense of coming unstuck — then return to the creative project and work again until there is another place of not-knowing, where you can begin the whole Focusing process again —

 

If the answer is “No,” your body remains tense and your energy still blocked, flat, then, set aside everything you have already thought and tried and ask your “subconscious,” the “intuitive feel” at The Creative Edge, again: “What does this situation need?”, and, again, wait, as long as a minute or more, to see what comes in the center of your chest, an intuitive “feel” for the whole thing —

(One minute)

Take a moment, again, to carefully find words or an image for whatever has come —

(One minute)

Keep at this as long as you are comfortable, asking an open-ended question, waiting for an “intuitive feel” of “the whole thing” to emerge, looking for words or an image or even a gesture or action step that fits the intuitive feel “exactly.”

(One minute or more — )

But, if no clear next step arises, just remind yourself that, by spending Focusing time sitting with The Creative Edge, you have added energy and started a new living-forward, and, especially if you continue to hold “the feel of it all” on the back-burner of your mind, later something new will likely pop up —

(One minute)

Appreciate yourself and your “subconscious,” the “intuitive feel,” for taking time with this, trusting that taking time is the important thing — solutions can then arise later.

 

Remember, it is often easier to learn Intuitive Focusing with the company of a Focusing Listener. See links below to find many resources, including self-help groups, and Creative Edge Focusing Consultants for individual Coaching or Classes and Workshops.

Download complete Instant “Ahah!” Mini-Manual, in English and Spanish, from CEF Website

Find links to free articles, personality tests, multi-media Self-Help training, Classes and workshops

Dr. Kathy McGuire, Director

Creative Edge Focusing (TM)

www.cefocusing.com

The site of new insights and creative solutions is at the edge of what is already known. This edge, The Creative Edge, holds implicit within it all past and future knowing about the problem, more than could ever be put into words in a linear way

SESION DE FOCUSING COMPLETA

By , January 29, 2008 5:28 pm

SESION DE FOCUSING COMPLETA  ¿Cómo estoy hoy día?Dra. Kathy McGuire, Directora

Semana Uno

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TENER UN CAMBIO DE PARADIGMA: SESION DE FOCUSING COMPLETA

INSTRUCCIONES

Proceso de Focusing de Seis Pasos de Gendlin: PRISMAS/S de McGuire.

En el Focusing Intuitivo, Ud. primero se relaja y encuentra una sensación sentida, un “sentir intuitivo” que es antes que las palabras y más que las palabras.  Luego, Ud. va y viene entre las preguntas abiertas (¿Por qué esto es tan difícil para mí?, ¿Qué significa para mí?, ¿Cómo se relaciona esto con la otra decisión?) y el “sentir intuitivo”, buscando palabras o imágenes que capturen exactamente “el sentir de toda la cosa”, hasta que Ud. encuentre una sensación de resolución, de saber el significado.

En este momento “¡Ajá!” , Ud. está experienciando un “cambio sentido”, un cambio de Paradigma.

El kaleidoscopio vira y la situación completa es nueva, de pronto, nuevas ideas, emociones y pasos de acción se vuelven posibles.

Eugenio Gendlin (Focusing, 1981, 1984) fue el primero en describir Focusing como una serie de pasos los cuales podían ser practicados como auto-ayuda, un método para solucionar problemas.

También puede revisar el Proceso Prismas/s de Solución de Problemas que es la versión de la Dra. McGuire de los pasos que conducen desde tomar una Pausa hasta Cambios de Paradigma.

Más adelante puede Ud. encontrar instrucciones  para seguir el proceso de Focusing Intuitivo completo. Si Ud. adquiere el paquete de Auto-ayuda de Focusing de Borde CreativoTM (por el momento sólo disponible en inglés)

Ud. puede escuchar el audio en el CD con las Instrucciones de Focusing, Disco 2, pista# 1, Relajación, luego Focalización Focusing)

FIND “SESION DE FOCUSING COMPLETA” IN FILE DOWNLOAD ABOVE

Agnes Rodriguez, translator, Focusing Instruction en espanol

Articles en espanol , scroll to the bottom

Focusing en Comunidad : Como Empezar Un Grupo De Apoyo De Escucha Y Focusing, manual

FOCUSING TURN DEMONSTRATION: BIG “FELT SHIFT” IN LIFE-LONG “SCRIPT”

By , December 20, 2007 2:37 pm

This was such a paradigmatic example of Gendlin’s Focusing self-help technique (Focusing, Bantam, 1981,1984) and McGuire’s Intuitive Focusing, that I wanted to share it here. It includes Clearing  A Space, deeper Focusing, and a huge bodily-felt shift, predicted to cause lasting change in “personality,” in how the person lives from then on.

 It also ended up capturing something about this holiday season, the symbol of a young, struggling, “holy” family (Christian or not, it is this symbolism that touches me).
 
The turn happened on the Creative Edge Practice yahoo group where we are developing a model, a safe place for learning about Listening/Focusing directly in an email group. You can join us! Go to the link to read a description of the group.
 
In response to my Focusing turn, three different people offered Listening Reflection, each beautifully, empathically “holding and grasping” my message and giving it back to me, enriched by their own being-there in a Listening way. What an educational experience to be able to compare styles of Reflecting! 
 
Here is the complete turn: it started slowly, me thinking only of Clearing a Space, moving into a deep Focusing, huge felt-shifting experience. The kaleidescope turned, and everything is newly in process:
 
“Okay, I am going to touch base with myself, as this holiday time (for me, my 62nd birthday Dec. 24, then Christmas, Dec. 25, New Years….) by Clearing A Space, just to see what is on my plate.  No desperate issue to use Focusing with, but a sense of wanting to “take an inventory,” see what is there (Clearing A Space is Getting A Felt Sense Exercise #3, p.10 in Complete Focusing Instructions download you received, also on CD Intuitive Focusing Training, Track 10. You can find e-newsletters about it at E-newsletter archive, dates 10/12-11/1 ):
 
Phew!!  All that teaching done, now turning toward myself, just beginning to follow my breathing as a way of coming inside my body—  big breath, big sigh. Ahhhh!
 
—Got to slow down, give up “teaching” mind set, take time, take those whole “minutes” for finding the felt sense, not try to do this fast—
 
—-(long pause for felt sensing)   Wow! (almost teary feeling) This holiday is almost here, after all these months of build up, and, if I am not careful, I am going to “miss it,” miss the “holiday” time-off, time for relationships, feeling of it ——
 
— Moving into a little Focusing here —- I am not really taking a full break —still doing email, blogging, website about three hours a day —what if I took a total break for the week from Christmas to New Years? —– tension in my shoulders — responsibility — also almost teary : “I would miss my email community — they are a large part of my “family” —-
 
—Many people also experiencing this “holiday,” not wanting a lot of emails — natural slow down?(doing some meridian tapping on sore spots each side of my collar bone: “I carry so much tension, even when I am trying to be on vacation —-TRYING!” (Big sigh, letting go of some tension—)
 
—Leaving further Focusing on that issue for another time. Back to Clearing A Space (I am looking for the peace, the “Except for all of that, I am completely okay!” experience that can come just with Clearing). (Big breath. Sigh. Releasing some tension). Ahhhh!
 
—Next issue that arises: Seeing my son, daughter-in-law, new grandson today— almost teary feeling — they are like Mary and Joseph — too young. They have a home, but not much else in the way of security — the world against them, too, in some way, because of their ADHD way of being (more teary here — pausing to sense into this. More of a sad sigh…)— some actual tears now, some relief in that symbolism — that there will be some angels and shepherds and wise men for them, too — some supports —that it is “not just me” trying to hold them up —WOW!  That is an insight for me. Not to experience only all the hardship side but to see that there is some world-love, some world-support for them also—-NOT JUST ME (more teary feeling there. I will pause to be with that part — the strain I put on me to “hold them up” —)Big sigh—-
 
—My son will be at least yelled at at work, if not fired, because people stole something while he was cashier — it wasn’t totally his fault, but he was crying, stressed out, about it — but also angry about being blamed —
 
—And he is considering joining the military as a way to cope with this young family, all the bills….that is a big “weight” on me (I am drooping under the crush of it)  Big Sigh.  So, there is that. That is a heavy one — but I am reminded of the “support” symbolism above — the weight of that, the decision, whatever happens, it’s not all on my shoulders (ALL??? REally, in some way, none of it is on my shoulders —tears, sobbing, really, here —- I really cannot “remove this cross” from them. It is theirs to bear, not mine—much more sobbing there, nausea —- I would much rather be able to control it, to take it on, take care of it, make it come out alright —- more sobbing—-
 
(Had to get up and walk around. There is a huge physical pain shooting all up the sides of my torso, through my spine/ribcage, and sobbing about how I would rather carry it, even if stressful, than acknowledge that I really can’t control it, I can’t fix it— of course, logically, I know this — but THIS IS DIFFERENT. THIS IS LIKE AN EXPERIENTIAL, BODY-KNOWING THAT I CAN’T CONTROL IT. THIS COULD BE A BIG SHIFT, A BIG CHANGE IN MY MAJOR LIFE PATTERN OF TRYING TO CARRY EVERYTHING— so, I am going to breath into this and walk more, let this body-level shift happen more thoroughly—)
 
—This is big. I can’t even comprehend, really, what would come next as a way-of-being if I put this down, this idea that I am controlling/saving/holding up things, like whether people I love live or die, etc. — I’m thinking “This is what the Freudians mean by ‘secondary gain’ — what is the person gaining by having what looks like an unproductive pattern/behavior?” I’m feeling this experientially, as a body, not just a head, knowing — Big sigh. I need to take more time to “live into” this body-shifting—- Pause again, walking.
 
—  Sitting, just breathing, feeling twinges shooting all through my body, loosenings, stretchings — but also part of me that wants to “crunch back up,” go back to thinking I am controlling things — but, I know that, fortunately, I guess, in real felt-shifting, like this is, there is no going back —-“The kaleidescope turns, and everything is new.” Darn!!! (meridian tapping those sore spots on collarbone again)
 
— A glimmering: “Well, silly, you weren’t really controlling things before either, with all that stress and tension. YOu just thought you were!!!!!!!”” (something in me starts shuttering here, shaking with fear — this is too scary for that part. I will be with that part now, turning compassionate, nurturing attention to it —–) Pause.
 
—I’m looking at a poster I have on the wall. It is a big pool of wavy water. Floating in the middle, a mother cradles her child in her hands. There are larger hands cradling those two. And really large hands cradling “all of that.”  I want to comfort myself there, convince myself, believe that there are “larger hands” holding it all up:”S/he’s got the whole world in his/her hands,” the song says —- Ahhhh! More pausing to “sit with” all of this — the scared part, the letting go, the hope that there is love/support in this world so harsh for these young parents — some teariness there—Ahhhh!
 
—still too scary — thinking of my child going off to Afghanistan or Iraq, him thinking he is going to work on computers and come out getting a job for $120,000!!!!  Too young. Too innocent to face these huge decisions…but also very stubborn. Very much needing to “do it myself.” And, yes, it is his destiny. I cannot do it for him. It ruins the very “thing,” the “selfhood” for him if I try to decide for him. Sigh….
 
—I can’t do anymore with this place now. Need it to rest. Trust the continuing bodily shifting. Ahhh!
 
— Sense that there is this whole “other thing” on my plate. Where I thought I would spend my Focusing time. This whole issue about my work, what new projects I should take on, what leave alone. How be less stressed. I’m not going to go there now. Another time. But I know they are related. Saving my son. Saving the world. It’s all part of that same “life script” :”I can hold it all up. I can change it all. I can save everybody, if I just work hard enough.”  Big sigh!!!
 
I’m stopping here! Another huge post, huge Focusing turn come out of Clearing a Space. I do feel lighter. My spine straighter, my body less hunched over with carrying it all. I am optimistic! I trust this felt-shifting, carrying forward process. I know it is in the “direction of righting,” wholeness.
 
I do feel finished.  I do not need reflection. But, of course, it is always welcome. It is always nice to ALSO be heard, as well as hearing myself. And, of course, this group is a place to practice Reflecting, so I’m game for any person to try it, perhaps with just some small part…or not!  It’s vacation!
 
Warmly, and thanks for Listening, “holding this space.” I would not do this Focusing at all this well or deeply “alone”.
 
Kathy

Learn more about Intuitive Focusing and Focused Listening and Experiential Focusing Therapy at Creative Edge Focusing’s website, filled with free downloads on creativity, spirituality, collaborative thinking, parenting, innovation in business, and many other aspects of application of Focusing and Listening skills at home, at work, in your community, and globally.

See actual demonstrations of Listening/Focusing in our Self-Help package, a manual in English or Spanish, four CDs of Focusing Instructions, and a DVD with four demonstrations of actual listening/focusing sessions — everything you need to start your own Listening/Focusing Partnership or Support Group or to incorporate these basic self-help skills into existing support groups.

In the side bar at Creative Edge Focusing, subscribe to our free e-newsletter for weekly reminders to practice Relaxation and Focusing exercises and join our free yahoo group, Creative Edge Practice, for ongoing demonstrations, practice, and support.

Find classes/workshops/phone coaching in our Listings section or Coaching/Classes/Consulting with Dr. McGuire

Dr. Kathy McGuire, Director

Creative Edge Focusing (TM)

www.cefocusing.com

The site of new insights and creative solutions is at the edge of what is already known. This edge, The Creative Edge, holds implicit within it all past and future knowing about the problem, more than could ever be put into words in a linear way

INTEREST AREA: Education, Especially For ADHD

By , December 19, 2007 10:59 am

Core Concepts

1. Educating for human literacy: “Emotional” and “Social” Intelligence

Specific to the Creative Edge Focusing™ model, the core “human literacy” skills of Intuitive Focusing and Focused Listening can be integrated into education along with the traditional literacy of reading, writing, and arithmetic.

Basic to the many aspects of “emotional” and “social” intelligence outlined in Daniel Goleman’s books, Emotional Intelligence and Social Intelligence, Intuitive Focusing and Focused Listening, the core of the PRISMSS Problem Solving Process, are two simple, self-help skills that everyone can learn. They translate into every sphere of home and work life, from personal growth and creativity to interpersonal relationship and conflict resolution to collaborative work in groups and teams to problem solving in our local, national, and global communities.

Through The Creative Edge Pyramid of seven applied methods , every student can learn, in about forty hours of instruction and in preschool through post-graduate education, how to:

  • Create new ideas
  • Change problem behaviors
  • Listen to another
  • Resolve interpersonal conflicts
  • Start a support group
  • Build supportive community
  • Create win/win decisions in groups
  • Create innovative solutions
  • Motivate others for collaborative action

Basic philosophy:  Each child has a unique inner blueprint. Education serves, not to fill the child with “content,” but to facilitate the unfolding of his or her unique interests and talents and to teach communication, team-work, and creative problem-solving skills.
See also Interest Area: Positive Parenting

2. Creative Edge Education is active, hands-on, always striving to engage The Creative Edge of each child

In Creative Edge Organizations, every worker is engaged at the Creative Edge of their own “intuitive felt sensing,” their specific motivating passion of the moment. So, too, in Creative Edge Education, each student should be actively engaged, actively interested, actively motivated to create out of their own Creative Edge, their own “intuitive sensing.”

In Business Schools, at the undergraduate and graduate level, hiring companies want employees skilled in working in collaborative teams. They have pushed professors from passive lecturing to aiding students to work in groups and teams. Students work on real-life, hands-on projects, including computer-generated business simulation “games” as well as actual business projects.

So, too, in our elementary and secondary education, if we want to educate future workers for creativity and innovation, students need to be taught to be active learners, to be engaged at their Creative Edge, and to work in groups and teams on collaborative, real-life projects. Read More about Focusing in Education.

Download Dr. McGuire’s article, “Don’t Fight ‘Em, Join ‘Em: Community-Wide Intervention for ADHD, School Failure, and Juvenile Delinquency”.

Learn more about Intuitive Focusing and Focused Listening and Experiential Focusing Therapy at Creative Edge Focusing’s website, filled with free downloads on creativity, spirituality, collaborative thinking, parenting, innovation in business, and many other aspects of application of Focusing and Listening skills at home, at work, in your community, and globally.

See actual demonstrations of Listening/Focusing in our Self-Help package, a manual in English or Spanish, four CDs of Focusing Instructions, and a DVD with four demonstrations of actual listening/focusing sessions — everything you need to start your own Listening/Focusing Partnership or Support Group or to incorporate these basic self-help skills into existing support groups.

In the side bar at Creative Edge Focusing, subscribe to our free e-newsletter for weekly reminders to practice Relaxation and Focusing exercises and join our free yahoo group, Creative Edge Practice, for ongoing demonstrations, practice, and support.

Find classes/workshops/phone coaching in our Listings section or Coaching/Classes/Consulting with Dr. McGuire

Dr. Kathy McGuire, Director

Creative Edge Focusing (TM)

www.cefocusing.com

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