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The site of new insights and creative solutions is at the edge of what is already known. This edge, The Creative Edge, holds implicit within it all past and future knowing about the problem, more than could ever be put into words in a linear way

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CREATIVITY, INTUITION, AND GLADWELL’S “BLINK THINKING”

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By Kathy McGuire, April 18, 2008 2:54 pm

INTUITIONS GUIDE CREATIVE DECISION MAKING

“Blink Thinking”

In his best-selling book, Blink: The Power of Thinking Without Thinking(Little Brown, 2005), Malcolm Gladwell justified the importance of intuitive, “gut” thinking in decision making. In fact, he pointed out that, contrary to our assumptions about our rationality, many high-level decisions are based more upon a “gut sense” or a “blink of an eye” impression than upon rational, logical thinking.

When they believe they are using objective indicators for choices, people are often influenced by subjective, peripheral factors “outside of awareness.” For instance, for generations, classical music orchestras believed that women could not master the instruments or the nuance of the music. Women were seldom hired.

Then, orchestras started having performers audition behind a screen, cutting out visual cues in making hiring decisions. To everyone’s surprise, chosen through “listening” alone, women were actually chosen a majority of the time, even for instruments “presumed” to be more “masculine,” like French Horn and other brass instruments.

Gladwell distinguished between two kinds of intuitive decision making:

·        In the one case, a person has a “gut sensing,” an unclear, preverbal “feel” about something, which is very real and substantial and resilient, impossible to put aside or ignore, even though words for it can’t be found. An example: some museum curators have a “sense” that there is something wrong about an antique statue. They don’t know what it is, but their “body-sense” tells them there is something. Eventually, following this “intuition,” they discover concrete evidence that it is a facsimile.

·        In the second case, a person makes a decision in “the blink of an eye,” without even awareness of an “intuitive feel” but out of an immediate, precognitive assessment of a situation. An example: a fireman deciding where to step, which way to go, what to do in a split-second emergency situation.

Gladwell says that we can’t really “unpack” our “gut senses.” However, although this is true about the split-second decisions in emergency situations, it is not true for the more common situations in his first case, where there is a gnawing, long-lasting “gut sensing,” an “intuitive feel,” for which words HAVE NOT YET been found. In these latter situations, Intuiti Focusing, “sitting with” the “intuitive feel” of “the whole thing,” and carefully looking for words and images which are exactly “right” in capturing this preverbal “intuition,” is a premiere way for increasing the usefulness of “intuitive” or “gut” information.

Using Intuitive Focusing In Situations Of Uncertainty

In her Market Focusing approach (www.marketfocusing.com ), Flavia Cymbalista taught Gendlin’s Focusing to people like George Soros, financier, and others needing to make decisions in situations of “uncertainty”, like the ever-changing stock market. Traders often had to follow their “intuition” and wished for something more substantial to base decisions upon.

Soros thought he used logical, rational indicators for decisions. Through work with Cymbalista, he realized that, actually, he got a “pain in his back” when his portfolio needed adjusting, and the pain disappeared when he got it “right.” He was following an “intuition,” a “bodily feel” without words. He and others learned that consciously using Gendlin’s Focusing to find words and images for “gut intuition” allowed even greater access to the “intuitive feel” for market decisions.

“Gut Sensing” Is Everywhere In Creative Decision Making

Here are just a few situations where pausing for some minutes of Intuitive Focusing can provide a way forward:

·        You have a “gut feeling” of exactly what problem you want to work on, but you don’t have any words or images to describe it.

·        Your boss hands you a problem to solve out of the blue, and you have no idea where to begin, how to approach it.

·        You are “stuck” on a creative project, “blocked,” no inspiration about where to go next.

·        You know that something is bothering you, your whole body is tense, you can’t sleep, but you have no idea what the problem is.

·        You have an”inkling,” an “intuition,” but you can’t put it into words.

·        You have a “hunch” about what to do, an action you want to take, but you can’t verbalize any reasons to justify it.

·        You wake up with the “feel” of a forgotten night-time dream.

·        You have a wonderful feeling of well-being, a “spiritual” feeling, and you would like to spend more time with it, finding a way to describe it.

·        You have an uncomfortable feeling after an interaction with someone, but you don’t know exactly what it is about, so you don’t know what to do about it.

·        You know exactly what you want to do but find yourself blocked, unable to move forward.

·        You might have no feelings, no creative ideas. You feel like a flat piece of concrete.

·        You feel totally stressed out, confused, overwhelmed —

Focused Listening To Aid In Creative Problem Solving

While a person can use Intuitive Focusing on their own to find words for “gut sensing,” having the help of a Focused Listener, in aFocusing Partnership or Focusing Group/Team, can make this process of “finding words” easier. Here is a hypothetical example.

The Focuser sits with The Creative Edge, the murky, intuitive “feel” of the whole Gestalt, and attempts to make new words and images using the Intuitive Focusing skill. The Listener uses Pure Reflection, simply saying back the words and images of the Focuser, without judgment or advice, and with emphasis upon reflecting “the unclear edge,” the “bodily, intuitive feel.” The Focused Listener can reflect back the Focuser’s actual words as well as the less-clear nuances, until the Focuser finds exactly the right new symbolizations to capture The Creative Edge.

Example:

The Focuser starts out with a “gut sense” about a problem. He knows there is something wrong, but he can’t put his finger on what that is nor on a solution:



Focuser: “There is something about the mechanical execution of this model that is not going to work — I don’t know what it is, but I can sense it. I’m uneasy about it —“

       Listener: “So there’s an uneasiness there — something not right about the

    mechanical execution —“

Focuser: (sitting quietly, pondering at the Creative Edge — ) “All I get so far is an image of red intertwining with white, two triangles intersecting — “

Listener: “So there’s an image — two triangles intersecting — red and white intertwining —“

Focuser: (some excitement in voice, opens eyes) Let me draw that (starts drawing with pen and paper, grabs red and white chalk — soon, a gear-like drawing emerges) —(evident excitement) Yes, it’s something there , in that gear box!!!

Listener: “So, you can see clearly now — it’s something in that particular gear box — “

Focuser: (closes eyes) “Let me sense into that some more (sits quietly, pondering at The Creative Edge — over a minute — ) — something, something twisty there —“

Listener: “Twisty —“

Focuser: (more closed-eyed Focusing, pondering at The Creative Edge — minute or more — sighs, shifts in seat — more pondering —)”Hmmmm — I think I’m getting it — something about the ratios there, the red too dominant over the white — “

Listener: “The ratios — red over white —“

Focuser: “I’ve got it — needs to be 8:6!”

Clearly, the Listener doesn’t even have to understand what the Focuser is talking about, but, still, having that outside person offering Reflection can carry forward the process of creating new symbolizations out of The Creative Edge.

Even though Focused Listening allows the Listener to occasionally use other kinds of responses (Asking For More, Focusing Invitations, and Personal Sharings), pure reflection is still the most powerful form of response to someone using Intuitive Focusing at The Creative Edge.

If you do not have a Listening/Focusing Partnership, consider whether there is a colleague at work, a friend or family member who is already an excellent listener and might be interested in learning the formal Listening/Focusing Partnership method with you. Then, use the multi-media materials in our Self-Help Package or the free download of Chapter Three: The Listening/Focusing Exchange (a link at the top of this blog entry )

The Blurry, Vague, “Feel of the Whole Thing” Holds The Next Steps



I invite you to use Intuitive Focusing again below to find next steps on a “creative project”: an article, a book, a poem, a song, a dance, a marketing campaign, an engineering breakthrough, some project needing creative ideas.

If you need to work more specifically on “blocks” to creativity, you could use Cornell and McGavin’s technique from last week, using Focusing to give a gentle hearing to the “part” that wants to “hold back,” as well as the “part” that wants to “go forward,” until steps toward resolution arise (Week Two Treasures In Blocks).

Focusing On A Creative Problem or Project Click here to find the exercise

Download complete Instant “Ahah!” Mini-Manual, in English and Spanish, from CEF Website

Find links to free articles, personality tests, multi-media Self-Help training, Classes and workshops

Dr. Kathy McGuire, Director

Creativity | Blink, Blink Thinking, Carl Rogers, coaching, creative problem solving, Creativity, Empathic Listening, Focused Listening, Focusing, Gendlin, Instant "Ahah!"s, intuition, Intuitive Focusing, Intuitive Problem Solving, Malcolm Gladwell, overcoming blocks to creativity, paradigm shifts, personal growth, problem solving, self-help, writer's block

FOCUSING AND CREATIVITY: FINDING TREASURE IN BLOCKS

By Kathy McGuire, April 16, 2008 4:04 pm

RELEASING BLOCKS TO CREATIVITY

“Treasure Maps To The Soul”

Ann Weiser Cornell and Barbara McGavin, Certified Focusing Trainers, have made a life’s work at discovering the treasures that lie within our deepest conflicts, action blocks, addictions, depression, and other forms of “stuckness.” They have developed a workshop called “Treasure Maps To The Soul” which introduces participants to many forms of “stuckness,” like the Swamp, The Fog, The Dragon, and how to use Focusing to find the treasure, the life-direction forward, in each of these blocks.

Central to their method is “the radical acceptance of everything.” Taking a neutral position of Presence inside, the Focuser then welcomes and greets with curiosity ANY inner experience that wants to come forward, without judgment. With respectful and compassionate Listening to EVERY part, EVERY aspect, their Inner Relationship Focusing allows even the most hated “blocks” and “critics” to soften, to express their own positive wants and needs and wishes to protect the Focuser.

In experiencing a “block,” there is a “part” of us that wants to go forward, to do our creative project, and a “part” that holds us back. We plan to paint, and never get to it. We sit down to write, and become totally blank, feeling suffocated. We try to write a report, and find ourselves daydreaming. Usually, we try to “beat up” or “beat down” the “part” that we see as getting in the way, holding us back.

In Focusing, we stop this inner battle and finally turn with compassionate Listening to this blocking part, asking, “Okay, what is going on for you — ? What do you need?— What are you trying to protect us from?—How can I allow you to be welcome and present while we attempt this task?” And the Focuser also then takes time to Listening with compassionate curiosity to the “part” that DOES want to go forward, its needs, wishes, fears, hopes, etc. By going back and forth between the two, Focusing allows something to “shift” inside, and a new possibility for going forward to arise. Here is the Introduction to one of Ann’s Articles from her website for Focusing Resources:

How To Use Focusing To Release Blocks To Action

by Ann Weiser Cornell, PhD
This article originally appeared in the January 1993 issue of The Focusing Connection (Subscribe).Writer’s block, procrastination, being a pack rat… all these are action blocks. If you want to start an exercise program but you don’t, if you want to keep your desk clean but you don’t, if you want to be more creative but it just doesn’t happen, you are experiencing an action block–and Focusing can help. Action blocks are painful, and everyone experiences them at times. For some people, the struggle dominates their lives. Are you familiar with wanting to do something day after day, even cursing and criticizing yourself for not doing it? Do you know about making resolution after resolution, even changing for a little while, but always sliding back? Wouldn’t you love to be able to break that cycle and act easily and confidently instead? Focusing releases the stuck system by changing the dynamic that holds the action block in place. In an action block, there is a part of you that isn’t being heard. Ironically, that’s the same part of you that seems to be in charge: the one that isn’t taking action. It has you in its iron grip, and yet it’s lonely, isolated, unacknowledged. No one has really asked it yet, “How come you’re so set against taking action?” (Remember, being sure that you already know why is not the same thing as asking it!) The Focusing process starts by bringing in self-compassion instead of self-criticism. This alone begins the process of release, because self-criticism is the glue that holds the action block in place. It’s funny, isn’t it, that it often feels like just the opposite is true? I feel like my criticism of the part of me that won’t exercise is my only hope of moving it, and that if I accept it, it will really take over my life! But actually, self-criticism holds the system in place because it ensures that the criticized part will not be heard, and everything will stay the same. And remember: compassion and acceptance are not the same as agreement or giving in. I can still want to change, while being compassionate to the part of me that doesn’t want to. Through Focusing, we create an inner atmosphere of safety, where any part of us can be heard without being attacked or criticized. This is important, because if you want to hear the truth and be released, you can’t put pre-conditions on what you hear. “You can tell me anything except…” just won’t work. In Focusing, it is quite literally true that the truth will set you free. So if you want to set the stage for allowing truth to come, start with an inner atmosphere of compassion, if possible. (If something in you says “No” to being compassionate, see if you can be compassionate to that!)

Listening to the Part that Blocks You —“READ ON AT ANN’S WEBSITE and check out the many other great articles in her Library and Workshop Offerings.

FOCUSING EXERCISE: RELEASING BLOCKS TO CREATIVITY

Last week, we used Focusing just to work with the “intuitive feel,” the “bodily-felt sense” of next steps in a creative project. We will return to this. But, for today, I ask you to look for a place in your life where you are “stuck” or “blocked” in terms of a creative project, where you are trying to move forward but continuously are holding yourself back at the same time. To begin the Focusing Exercise below, I will ask you to scan your life and choose a “blocked project,” then lead you through Focusing instructions which allow you to “listen to” both sides in the conflict, allowing new possibilities for moving forward to emerge:

Leave at least one minute of silence between each instruction

(One minute)

Okay — first, just get yourself comfortable — feel the weight of your body on the chair — loosen any clothing that is too tight —

(One minute)

Spend a moment just noticing your breathing — don’t try to change it — just notice the breath going in — and out —

(One minute —)

Now, notice where you have tension in your body (pause) —

(One minute — )

Now, imagine the tension as a stream of water, draining out of your body through your fingertips and feet (Pause) —

(One minute — )

Let yourself travel inside of your body to a place of peace —

(One minute — )

Now, bring to mind a creative problem or project that needs attention, particularly one where there is some blockage to forward movement. Take as long as you need to scan your life, looking for something with this kind of “stuckness” (pause) —

(One minute or more — )

Choose one “blocked” project, and spend a moment just bringing it fully to mind, thinking about where you are in relation to it, where you “left off,” the “next step,” the “block” —

(One minute — )

Now, try to set aside all of your thoughts about the situation and possible solutions, and, as you carry a mental image of the problem or project in your mind, just wait and see what comes in the center of your body, around your heart/chest area, in response (pause) — not words, but the intuitive feel of the whole situation, The Creative Edge —

(One minute — )

Now, carefully try to find words or an image for that Edge — Go carefully back and forth between any words and the intuitive feel of the whole thing until you find words or an image that are just right for it —

(One minute — )

Now, gently ask yourself, “What is in the way here? What is the body-sense for the part that gets in the way, doesn’t want to work on the project”, and wait, at least a minute, to see what comes in your wordless intuition, your whole-body sense, The Creative Edge —

(One minute —)

Carefully look for some words or an image or metaphor that exactly fit that Edge —

(One minute — )

Now, ask that “resisting” or “critical” part, “What is this like for you? Why are you holding back? Is there something you are wanting to protect me from? Is there something you are wishing for?” Take some time just to “listen to” how it is for this part of yourself. Go back-and-forth between words/images and the “bodily feel” of that part until you have captured the “feel of it all” —

(One – three minutes — )

Now, turn your attention to the other side, the “part” of you that wants to move forward, to tackle the project, to have the pleasure of creating. Spend some time looking for the “intuitive feel” of this forward-moving, creating part or energy. Don’t answer from your head, what you already know, but wait, as long as a minute, for an answer to come in the center of your body, your wordless intuition, The Creative Edge —

(One minute — )

Again, carefully find words or an image for that, ” the part that wants to create” Weiser Cornell suggests that you imagine yourself working on the project, being free-flowing creative, and get the “body-feel” for what that is like, and find some words or images/metaphors to capture that–

(One to three minutes — )

And ask that part some open-ended questions, like “What is this like for you, being creative?— What are you wanting/needing?— What is a first step you can imagine for moving forward?”. Again, don’t answer from your head, but wait as much as a minute for “the feel of that whole thing” to arise, and then carefully go back-and-forth, finding words/images/metaphors/gestures to capture the “intuitive feel.”

(One to three minutes —)

Continue in this way, going back and forth between the two sides, asking each, “And how is that for you?” , waiting to see what comes in your body, finding words and images for that, letting each side fully express itself. If other “parts” arise, make room for them as well, giving them time to express themselves.

As you spend compassionate, non-judgmental Listening time with each aspect of the situation, you will find the different “sides” softening and blending, becoming more understanding of each others’ needs, more willing to look for an acceptable “next step forward.”

Weiser Cornell and McGavin suggest you pay special attention to what the “blocking, holding back” aspect is “afraid of” or “wanting to protect” the Focuser from, and what it does want for the Focuser. They find that Critical and Blocking parts are often motivated by FEAR and think they are working in the best interest of the person, guarding and protecting from fearful outcomes in the only way they know how.

Spend as long as is comfortable listening to the various aspects of your “conflicted” situation, looking for a possible step forward. If no clear next step arises, just remind yourself that, by spending Focusing time sitting with The Creative Edge, you have added energy and started a new living-forward, and, especially if you continue to hold “the feel of it all” on the back-burner of your mind, later something new will likely pop up —

(One minute)

Appreciate yourself and your “subconscious,” the “intuitive feel,” for taking time with this, trusting that taking time is the important thing — solutions can then arise later.

Download complete Instant “Ahah!” Mini-Manual, in English and Spanish, from CEF Website

Find links to free articles, personality tests, multi-media Self-Help training, Classes and workshops

Dr. Kathy McGuire, Director

Creativity | coaching, creative problem solving, Creativity, Focusing, Gendlin, Instant "Ahah!"s, overcoming blocks to creativity, paradigm shifts, personal growth, problem solving, self-help, writer's block

INTUITIVE FOCUSING AND CREATIVITY

By Kathy McGuire, April 12, 2008 2:15 pm

: My own “intuitive” creation

: Is this “right”?

: Beautiful! I want to “capture” this!

FOCUSING ON THE CREATIVE EDGE

“Sitting with” The Unclear Edge

Intuitive Focusing, applied to creative expression, is a methodical, predictable road to “Ah, hah!” experiences. Gendlin’s Focusing (Bantam, 1981, 1984) is a step-wise procedure for paying attention to the murky, intuitive, whole-body “feel” of a creative project and going back-and-forth between this Creative Edge and words or images for describing it. When you hit on just the right words or image, you will experience that “Ah, hah! — Yes, that’s it. That is exactly the next step.” With continued rounds of Focusing, you can carry the creative project through many steps of problem-solving.

Focusing simply provides specific steps to encourage the “Ah, hah!” process which creative people have always accessed, usually accidentally. Fortunately, the “unconscious,” or the concretely available Creative Edge, “the intuitive body sense,” can carry more information, all at once, in that murky, wordless “feel,” than we can ever carry in our minds consciously. So, during Focusing, the creative problem-solver has access to “all of it,” “the whole thing,” more than could ever be recited consciously.

From Creative Block To Next Step

For example, a painter is stuck on what a particular painting needs next, right now. She can step back, take a look, and then, ask herself, “What does this painting need?” and, instead of answering from her head, the already-known, she can wait, as long as a minute or more, for the bodily-feel, the intuitive sense, the Creative Edge of “the whole thing, and what it needs now — ” to arise as a murky, wordless “feel,” usually in the center of the body, between the throat and stomach — “What does it need?” — and waiting, just paying attention to the intuitive feel — then carefully looking for words or an image or just the right gesture, the next painterly act, the next step toward “completion.” Stuck again later? Just follow the same process, stepping back, sensing in, waiting for “the exactly right” next move to arise.

A writer is stuck in a novel: “What does this story need? What does this character need? What happens next?” Again, the writer steps back, takes a moment to go quietly inside, perhaps with eyes closed, and sits with the creative question, setting aside any already-known guesses or solutions, and just waiting, for at least a minute, for the intuitive feel of the “whole thing — this whole question” to arise. Then, just as carefully, he looks for words or images or metaphors that are exactly “right” in capturing the “feel of it all.” And, then, “Ah, hah! That is exactly it.” Or, in writing even more than in painting, he can try out the body’s best guess, and, again, check with the body sense: “Is that it?”

Same thing for creative problem solving in a business, engineering, scientific research situation. When “stuck,” not knowing the answer in a left-brain way, the problem solver can simply pause for a moment, go quietly inside, and look for the Creative Edge, the “intuitive feel” for “this whole problem,” wait at least a minute for the intuitive feel to form, then use Intuitive Focusing to carefully find the exact words or images which ,”fit,” bringing that experience of “Ahah! That is exactly it!”

Often, naturally, artists, writers, dancers “check in” with their “intuitive feel” for a project at many steps throughout the creative process. Learning Intuitive Focusing as a specific Skill will enhance this natural process, as well as giving you a reliable tool for those times when you are “stumped” or “blocked” about what comes next.

The Blurry, Vague, “Feel of the Whole Thing” Holds The Next Steps

Intuitive Focusing is one-half of the two Core Skills of Creative Edge Focusing ™. Focusing can be used any time to find out what is bothering you. Focusing specializes in sitting with the vague, wordless intuitive sense that there is something — something you can’t quite put your finger on or put into words, but something definitely determining your behavior or how you feel or the inkling of an idea or solution —

Intuitive Focusing can be used not just for personal problem-solving but for sitting with The Creative Edge of anything: a piece of creative art or writing, an exciting professional problem to solve, a good feeling that has a spiritual edge —

FOCUSING EXERCISE: “SITTING WITH” THE UNCLEAR EDGE OF A CREATIVE PROJECT

I ask you to choose one or more “creative projects” you can spend Focusing time with during this four-week cycle: an article, a book, a poem, a song, a dance, a marketing campaign, an engineering breakthrough, some project needing creative ideas. This week, we will use Intuitive Focusing on the creative project itself. Next week, we will work more specifically on “blocks” that come up.

Focusing On A Creative Problem or Project

(You can read these to yourself now, download them for continuous use, read them into a tape recorder for playback . Leave at least one minute of silence between each instruction)

(One minute)

Okay — first, just get yourself comfortable — feel the weight of your body on the chair — loosen any clothing that is too tight —

(One minute)

Spend a moment just noticing your breathing — don’t try to change it — just notice the breath going in — and out —

(One minute —)

Now, notice where you have tension in your body (pause) —

(One minute — )

Now, imagine the tension as a stream of water, draining out of your body through your fingertips and feet (Pause) —

(One minute — )

Let yourself travel inside of your body to a place of peace —

(One minute — )

Now, bring to mind a creative problem or project that needs attention (pause) —

(One minute or more — )

Think about it or get a mental image of it —

(One minute — )

Now, try to set aside all of your thoughts about possible solutions, and, as you carry a mental image of the problem or project in your mind, just wait and see what comes in the center of your body, around your heart/chest area, in response (pause) — not words, but the intuitive feel of the whole situation, The Creative Edge —

(One minute — )

Now, gently ask yourself, “Is that it? Would that work here?”, and wait, at least a minute, to see what comes in your wordless intuition, your whole-body sense, The Creative Edge —

(One minute —)

Again, carefully find words or an image that exactly fit that Edge —

(One minute — )

Now, try that possible solution out in the creative situation, either in your imagination or by actually writing, painting, tinkering with a model —

(One minute — )

Now, ask yourself, “Does that work?” and, again, don’t answer from your head, what you already know, but wait, as long as a minute, for an answer to come in the center of your body, your wordless intuition, The Creative Edge —

(One minute — )

Again, carefully find words or an image for that, “Does that solution work?” —

(One minute — )

If the answer is “Yes,” a release of bodily tension, a sense of coming unstuck — then return to the creative project and work again until there is another place of not-knowing, where you can begin the whole Focusing process again —

If the answer is “No,” your body remains tense and your energy still blocked, flat, then, set aside everything you have already thought and tried and ask your “subconscious,” the “intuitive feel” at The Creative Edge, again: “What does this situation need?”, and, again, wait, as long as a minute or more, to see what comes in the center of your chest, an intuitive “feel” for the whole thing —

(One minute)

Take a moment, again, to carefully find words or an image for whatever has come —

(One minute)

Keep at this as long as you are comfortable, asking an open-ended question, waiting for an “intuitive feel” of “the whole thing” to emerge, looking for words or an image or even a gesture or action step that fits the intuitive feel “exactly.”

(One minute or more — )

But, if no clear next step arises, just remind yourself that, by spending Focusing time sitting with The Creative Edge, you have added energy and started a new living-forward, and, especially if you continue to hold “the feel of it all” on the back-burner of your mind, later something new will likely pop up —

(One minute)

Appreciate yourself and your “subconscious,” the “intuitive feel,” for taking time with this, trusting that taking time is the important thing — solutions can then arise later.

Download complete Instant “Ahah!” Mini-Manual, in English and Spanish, from CEF Website

Find links to free articles, personality tests, multi-media Self-Help training, Classes and workshops

Dr. Kathy McGuire, Director

Creativity | coaching, creative problem solving, Creativity, Focusing, Gendlin, Getting A Felt Sense, Instant "Ahah!"s, intuitive creation, Intuitive Focusing, overcoming blocks to creativity, paradigm shifts, personal growth, problem solving, self-help, writer's block

COLLABORATIVE DECISION MAKING MEETINGS: HAVING CREATIVE, EFFICIENT MEETINGS

Comments (1)

By Kathy McGuire, January 10, 2008 4:46 pm

EVERYONE PARTICIPATES IN MEETINGS!
LET’S MAKE THEM PRODUCTIVE AND PLEASANT

If you are in a business or academic setting, you may have decision making meetings many times a week, even several times a day. They may be in a twosome, a small group or team, or a larger group.

There are meetings of religious community committees and non-profit organizations we belong to. And, we have decision making meetings with our significant others, our partners, children, or whole family every day!

Below you will find a link to the simple “How To’s For Groups” which arose from my dissertation research, Listening and Interruptions in Task-Oriented Groups, University of Chicago, 1977, with Eugene Gendlin, creator of Focusing (Focusing, Bantam, 1981, 1984, 2007) as advisor.

You will also be able to download articles explaining the theory and practice around incorporating Focused Listening and Intuitive Focusing into task-oriented meetings.

Main point: creativity and innovation happen when people are allowed enough of a “pause” to check in with their whole intuitive knowledge about an issue or situation. Intuitive Focusing, with Focused Listening, allows space for articulating completely new ideas, not simply recycle old, polarized arguments.

Free Downloads:

Instant “Ahah!” Mini-Manual

Complete Focusing Instructions Manual (17 pages)

“Ajas” Instantaneos Mini-Manual

Over the next four weeks, we will look at incorporating the Collaborative Thinking procedures into groups that you belong to.

You can begin learning now by thinking about the groups you belong to, the meetings you attend:

What are the plusses and minuses of these meetings?
What is the “whole body feel” of being at these meetings?
Do people interrupt each other?
Are conflicts polarized and never changing?
Do people feel free to share their negative feelings about a decision?
Does a minority do all the talking?
Is there a chance to pause to formulate a new but vague idea?

For a complete explanation of the theory behind access to The Creative Edge and innovative decision making, you can download Dr. McGuire’s comprehensive article,
“Collaborative Edge Decision Making Method, ” As a bonus, the Appendix of this article includes Handouts you can use at actual meetings, one for each role in Shared Leadership.

The PRISMS/S Problem Solving Method, with its Core Skills of Intuitive Focusing and Focusing Listening, and the seven methods from The Creative Edge Pyramid for incorporating PRISMS/S at every level of organization, can be explored in the Core Concepts area at Creative Edge Focusing’s website, and the many Free and Purchased resources found there. Articles en espanol

Read the simple How To’s for Collaborative Thinking at Creative Edge Focusing’s website.

Download Dr. McGuire’s article “Collaborative Edge Decision Making” en espanol

Metodo de Toma de Decisiones del Borde de Colaboracion

Read theory connecting Pauses for Intuitive Focusing with Quality of Decisions in an excerpt from Dr. McGuire’s research, “Listening and Interruptions In Task-Oriented Groups”

Learn more about Intuitive Focusing and Focused Listening and Creative Edge Organizations at Creative Edge Focusing’s website, filled with free downloads on creativity, spirituality, collaborative thinking, parenting, innovation in business, and many other aspects of application of Focusing and Listening skills at home, at work, in your community, and globally.

Download our Instant “Ahah!”s Mini-Manual (”Ajas” Instantaneos en espanol) for ten exercises bringing Listening and Focusing into your everyday life starting today.

Download our complete Intuitive Focusing Instructions to start practicing Relaxation, Getting a Felt Sense, and Intuitive Focusing today!

See actual demonstrations of Listening/Focusing in our Self-Help package, a manual in English or Spanish, four CDs of Focusing Instructions, and a DVD with four demonstrations of actual listening/focusing sessions — everything you need to start your own Listening/Focusing Partnership or Support Group or to incorporate these basic self-help skills into existing support groups.

In the side bar at Creative Edge Focusing, subscribe to our free e-newsletter for weekly reminders to practice Relaxation and Focusing exercises and join our free yahoo group, Creative Edge Practice, for ongoing demonstrations, practice, and support.

Find classes/workshops/phone coaching in our Listings section or Coaching/Classes/Consulting with Dr. McGuire in the Store.

Dr. Kathy McGuire, Director

Business, collaboration, conflict resolution, Creativity, Intuitive Focusing, LISTENING | business meetings, collaboration, collaborative decision making, creative edge meetings, Creativity, Focused Listening, group process, innovation, intuition, Intuitive Focusing, intuitive thinking, meetings, negotiation, problem solving, right-brain creativity, task-oriented meetings, win/win decision making

ESTUDIO DE CASOS Y TESTIMONIOS

By Kathy McGuire, November 29, 2007 1:11 pm

Focusing – Individualmente, con un Entrenador de Borde Creativo o con un Terapeuta de Focusing Experiencial.

Cualquiera que sabe que Focusing Intuitivo es lo básico del Proceso de Solución de Problemas PRISMAS/S, puede usarlo en cualquier momento para dar un nuevo paso seguro, desde la tensión o confusión hasta la solución del problema. Este será un nuevo “¡Ajá!”. Físicamente experimentado en su totalidad por el cuerpo, el cual asiente y relaja la tensión diciendo: “¡Sí, eso es exactamente! “, “¡Ahora puedo actuar!”

En mi ejemplo de abajo, primero uso Focusing Intuitivo por mi cuenta, luego, generalmente, contrato la ayuda de un Escuchador Focalizado, en este caso, mi esposo. Tengo la suerte de tener un esposo entrenado pero con él, me gusta compartir un turno igual de escucha.

Ejemplo del Caso:

Por varias semanas he estado dándole vueltas a un problema relacionado con el trabajo; he estado tensa, bloqueada, con noches sin dormir, obsesiva. Estoy preocupada por que si tomo alguna acción me pueden demandar, pero no quiero echarme para atrás.

He estado dando algunos pasos y gastando dinero tratando de protegerme legalmente. Pero la tensión, el insomnio y la obsesión continúan. Me encuentro a mí misma imaginándome cómo voy a defenderme en la Corte. Avanzo con esfuerzo, pero el costo es muy alto. Todo el proyecto se ha vuelto agotador.

Finalmente, después de semanas me doy cuenta que debo sentarme en silencio y usar Focusing Intuitivo acerca del asunto. Entonces, cierro mis ojos y sigo mi respiración por un momento a manera de relajación para llegar a un “espacio claro” y silencioso adentro— Suspiro…, dejo salir un poco la tensión…me pregunto: “Realmente ¿de qué se trata todo esto?…” Espero silenciosamente que algo nuevo aparezca…, un sentir intuitivo… o un Borde Creativo…para mí…, este Borde Creativo generalmente viene no a mi cabeza sino al centro de mi cuerpo…, alrededor de mi corazón…, a la cavidad del pecho…

Cuando viene un “sentir intuitivo” busco silenciosamente unas palabras o una imagen que comiencen a asirlo. “No quiero dar mi brazo a torcer…”, “No quiero ser derrotada…” (Hay un sentimiento con lágrimas aquí) “Tengo el derecho de hacerlo…” Respiro un poco más, revisando estas palabras frente a este “sentir intuitivo”…suspiro…dejo salir un poco de tensión.

En respuesta a estas palabras, viene un nuevo “sentir intuitivo” al centro de mi cuerpo, cerca del área del pecho…le presto atención, buscando palabras o una imagen que pudiera capturarlo…No puedo seguir así. Es demasiada tensión…Me siento en silencio manteniendo estas palabras frente al Borde Creativo, el “sentir intuitivo…”

Al usar el Paso de Preguntar de Focusing Intuitivo, se me viene la pregunta: “¿Qué puedo hacer para hacer que esto tenga menos tensión…?”…Permanezco con esta pregunta, prestándole atención al centro de mi cuerpo… y en lugar de contestar desde mi cabeza…, desde lo ya conocido…, espero que se forme un “sentir intuitivo” de una respuesta…Cuidadosamente busco palabras o imágenes que capturen el sentir intuitivo…suspiro, relajando la tensión.

En respuesta, consigo unas palabras, las cuales se sienten como un nuevo”Ajá” “¡Oh!, se trata de esta pequeña parte del proyecto…No tengo que renunciar a todo lo demás…, tal vez solamente a esa pequeña parte para reducir la tensión…

Reviso estas palabras frente al “sentir intuitivo”… Sí, ¡hay una relajación allí!

Estoy sacudiendo mi cabeza: “¡Sí!, ¡eso es!”… “¡eso relajaría la tensión!”, “¡el miedo!…”

Me siento emocionada aquí. Es difícil concentrarse. Quiero levantarme y caminar ansiosamente… ¡no puedo hacer Focusing por mucho tiempo! Le pregunto a mi esposo que está entrenado en Escucha Focalizada si él estaría disponible; sí, él será mi Escuchador Focalizado mientras yo continúo este proceso de Focusing Intuitivo. Nos tomará de 10 a 20 minutos. ¡A él le gusta hacerlo!…

Cierro los ojos y permanezco en este nuevo lugar, “Es solamente acerca de este pequeño lugar…” suspiro relajando la tensión…

Mi esposo refleja: “Así que es realmente sólo esta pequeña parte que tienes que cambiar. No tienes que dejar todo…sólo esa parte…”

Estoy asintiendo otra vez, todo mi cuerpo dice: “¡Sí!, puedo hacer eso realmente…,” “sí…, me libraré de ese miedo, esa tensión agotadora!…” Continúo revisando esa posible solución frente al “sentir intuitivo” y todo mi cuerpo sigue diciendo, “Sí, todo eso está bien conmigo. Puedo hacerlo sin sentirme derrotada”.

Mi esposo refleja: “Así que estás revisando y todo tu cuerpo te dice: “Sí eso podría estar bien”…. “Puedo hacer eso sin sentirme derrotada”. Sigo asintiendo, “Sí, eso podría estar bien…” suspiro…, relajando la tensión…

Seguimos por un rato, yo ahora en la modalidad de resolver problemas, intentando posibles opciones nuevas y diferentes; continúo revisando con el “sentir intuitivo”, El Borde Creativo: “¿Está esto realmente bien?”… “¿Seré capaz de dormir en la noche si hago esto?…” Mi esposo continúa usando Escucha Focalizada para reflejar lo que yo digo,…dejándome revisar y aclarar…

Finalmente decido mantener esa pequeña parte ahora, siempre y cuando me prepare a mí misma para dejarla si es que tengo la necesidad de hacerlo....Esto parece ser una buena solución (Estoy moviendo la cabeza asintiendo y suspirando, relajando la tensión, es la manera que tiene mi cuerpo de decir: “¡Sí!, ¡esto realmente encajó…!” “… ¡Tú puedes hacer esto realmente…!” Seguidamente, terminamos el turno de Escucha/Focusing de manera formal.

En los próximos días, tengo menos tensión. En las noches siguientes puedo dormir, surgen nuevas ideas, alternativas para reemplazar esa pequeña parte, etc. Tengo nueva energía para seguir adelante con todo el proyecto. La posibilidad de “pequeños cambios” me da también la oportunidad de permitir que entren otras personas en mi proyecto sin que me asalte toda esa ansiedad y miedo que me han mantenido aislada, incapaz de compartir mis ideas con otras personas.

Si su meta es solamente utilizar Focusing para Ud. mismo, puede tomar una clase o un taller de entrenamiento en Focusing de un profesional de Focusing que Ud. puede encontrar en nuestra sección de Recursos Gratis.

Si desea ayuda de Escucha Focalizada de manera consistente y sin tener que devolver el servicio como Escuchador (que es lo que sucede en las Parejas de Focusing como mencionamos mas abajo), entonces Ud. puede contratar un Entrenador de Focusing de Borde Creativo o un Terapeuta de Focusing Experiencial (Ver listados en la sección de Recursos Gratis).

Si Ud. ya tiene una relación de Entrenamiento, puede concertar una cita para Escucha Focalizada por teléfono; a menudo, podría ya comenzar a Focalizar simplemente escribiendo un correo a su Entrenador expresándole acerca de su asunto o preocupación, poniendo atención a su interior, usando respuestas de Focusing Intuitivo. El Entrenador puede enviarle un correo de vuelta con respuestas de Escucha Focalizada. ¡De esta manera Ud. recibe ayuda instantánea a mitad de precio!

Este material es ofrecido solamente como destrezas de autoayuda. Al proveerlos, la Dra. McGuire no se compromete en rendir servicios psicológicos, financieros, legales u otros servicios profesionales. Si se necesita la asistencia de un experto o de un consejero, se debe buscar los servicios de un profesional competente.

TESTIMONIO

“Siempre que hago Focusing, estoy sorprendida de ver cuán rápido surge el asunto, y cómo, con la ayuda de un Escuchador, hay una transformación que va desde la confusión hacia la comprensión y finalmente la solución.”

( Profesional asociado con una organización sin fines de lucro).

Translation by Agnes Rodriguez, Certified Focusing Professional and Creative Edge Associate offering Listening and Focusing training by phone in English and Spanish. See Agnes Rodriguez.

See also The Focusing Institute for articles in Spanish by Eugene Gendlin, creator of Focusing, and Spanish-speaking Focusing Teachers world-wide.

Dr. Kathy McGuire

Creative Edge Focusing (TM)

www.cefocusing.com

Business, core skills, health, Intuitive Focusing, LISTENING, self-help skills, spanish translations | Focused Listening, Focusing, Focusing en espanol, Gendlin, Intuitive Focusing, peer counseling, problem solving, self-help, stress reduction

Focusing: Find out what is bothering you

http://visitor.constantcontact.com/optin.jsp?&m=1101671080238&ea=

By Kathy McGuire, November 10, 2007 6:03 pm

Focusing On the Creative Edge

Intuitive Focusing is one-half of the two Core Skills you are learning at Creative Edge Focusing (TM), www.cefocusing.com . Focusing can be used any time to find out what is bothering you. Focusing specializes in sitting with the vague, wordless intuitive sense that there is something….something you can’t quite put your finger on or put into words, but something definitely determining your behavior or how you feel or the inkling of an idea or solution……

Focusing can be used not just for personal problem-solving but for sitting with The Creative Edge of anything: a piece of creative art or writing, an exciting professional problem to solve, a good feeling that has a spiritual edge…

The Crux of Change

In the 1960’s research showed that the single most important variable in predicting success in psychotherapy was, not what the therapist was doing, but the client’s own ability to speak from present, felt experiencing rather than intellectualization. Eugene Gendlin decided we’d better learn how to teach that skill to people. He called it Focusing and broke it down into six steps for teaching it in a self-help way. His book, Focusing (Bantam, 1981), has been translated into over 15 languages and is used throughout the world. Focusing-Oriented Therapy incorporates Focusing into the psychotherapy process.

Description of Gendlin’s Six Step Focusing Process

First, I will describe Gendlin’s process, then I will walk you through some actual instructions below. Here are Gendlin’s six steps for use of this inner, meditation-like problem-solving process in a self-help way:

Clearing a Space: setting aside the jumble of thoughts, opinions, and analysis we all carry in our minds, and making a clear, quiet space inside where something new can come.
Getting a Felt Sense: asking an open-ended question like “What is the feel of this whole thing (issue, situation, problem)?” and, instead of answering with one’s already-known analysis, waiting silently as long as a minute for the subtle, intuitive, “bodily feel” of “the whole thing” to form.
Finding a Handle: carefully looking for some words or an image that begin to capture the “feel of the whole thing,” the Felt Sense, The Creative Edge: “It’s ‘jumpy;’” “It’s scared;” “It’s like the dew of a Spring morning;” “It’s like macaroni and cheese – comforting,” “It’s like jet propulsion! Something new that needs to spring forth!”
Resonating and Checking: taking the Handle words or image and holding them against the Felt Sense, asking “Is this right? Is it ‘jumpy’?”, etc. Finding new words or images if needed until there is a sense of “fit” – “Yes, that’s it. Jumpy.”
Asking: asking open-ended questions (questions that don’t have a “Yes” or “No” or otherwise fixed or “closed” answer) like “And what is so hard about that?” or “And why does that have me stuck?” or “What was so beautiful about that moment?” or “And how does this apply to everything else?” and, again, instead of answering with already-known analysis, waiting silently for the whole-body-sense, the Felt Sense, to arise.

At each Asking, the Focuser also goes back to steps (2), (3) and (4) as necessary, waiting for the Felt Sense to form, finding Handle words, Resonating and Checking until there is a sense of “fit”: “Yes, that’s it.” This often physically-felt experience of tension release and easing in the body, this sense of having found the right words, is called a Felt Shift by Gendlin.

Dr. McGuire, calls it a Paradigm Shift. It can be a small step of “Yes, that’s it” or a larger unfolding, a huge insight, with many pieces of the puzzle suddenly falling into place, with a flow of new words and images and possible action steps. Sometimes there is also a flood of tears of acknowledgment and relief or the release of other pent-up emotions.

6. Receiving: at each new step, each Felt Shift, taking a moment to sit with the new “intuitive feel,” simply acknowledging and appreciating your own inner knowing for this new insight. Then, you can start again at step (5), Asking another open-ended question, (“And what is so important about this?”; “And why did that have me stuck?”; “And where does my mother come into all of this?”, etc.). And, again, step (2), waiting for the Felt Sense to form, step (3) finding a Handle, step (4) Resonating and Checking until there is a Felt Shift, a sense of “That’s it.”

You can always use “Clearing a Space” from the FREE Instant “Ahah!”s Mini-Manual as a first step of Focusing, especially if you have a difficult time relaxing, being able to feel your body from the inside. Clearing a Space is particularly handy if you walk around with your body like cement a lot of the time!! However, a formal Clearing a Space takes a good twenty minutes, just in itself.

However, there are less time-consuming ways to get ready to start Focusing, “clearing a space” through relaxation or imagery work. We’ll give one of those a try below. The CD in our Self-Help Package, Complete Focusing Instructions (or the free download, Complete Focusing Instructions), includes many exercises for relaxation and imagery work as a first step of Intuitive Focusing.

A First Attempt: Find Out What Is Bothering You

Set aside at least 30 minutes for this first attempt. Remember, Focusing is a skill usually taught in 10 two-hour classes or two weekend workshops —so, if it doesn’t work for you immediately, don’t give up! Find a nearby teacher from the Focusing Institute Listings or arrange for phone sessions with Dr. McGuire or another Creative Edge Consultant.

But, some people are natural Focusers and just say, “Oh, yes. I’ve been doing this all my life. Now, I can just do it better, more predictably, whenever I want. Give it a try:

(You can read the instructions below to yourself now or into a tape recorder for playback — or purchase the Self-Help Package with Focusing Instruction CD. Leave at least one minute of silence between each instruction)

Step One: Clearing A Space (Relaxation exercise in this case)

Okay…first, just get yourself comfortable…feel the weight of your body on the chair…loosen any clothing that is too tight….
(one minute…)

Spend a moment just noticing your breathing….don’t try to change it….just notice the breath going in….and out…..
(one minute…)

Now, notice where you have tension in your body (pause)…..
(one minute…)

Now, imagine the tension as a stream of water, draining out of your body through your fingertips and feet (Pause)….
(one minute…)

Let yourself travel inside of your body to a place of peace…..
(one minute…)

Step Two: Getting A Felt Sense

Now, bring to mind an incident or a situation that was troublesome for you this week (pause as long as necessary)…Think about it or get a mental image of it……
(one minute…)

Now, try to set aside all of your thoughts about the situation, and just try to bring back the feeling you had in that situation (pause)….not words, but the “intuitive feel” of yourself in that situation……
(one minute)

Step Three: Finding A Handle

Now, carefully try to find words or an image for that feeling……

Step Four: Resonating and Checking

Go carefully back and forth between any words and the “intuitive feel of the whole thing” until you find words or an image that are just right for it……..
(one minute…)

Step Five: Asking

Now, gently ask yourself, “What is so hard about this situation for me?”, and wait, at least a minute, to see what comes in your wordless intuition, your whole-body sense….

Again, carefully find words or an image that exactly fit that whole feeling…..going back and forth until the symbols are “just right.”
(one minute…)

Now, imagine what the situation would be like if it were perfectly all right……
(one minute…)

Now, ask yourself, “What’s in the way of that?” and, again, don’t answer from your head, what you already know, but wait, as long as a minute, for something new to come in the center of your body, more like a wordless intuition or whole-body sense………
(one minute…)

Again, carefully find words or an image for that, “whatever is in the way”…..go back and forth until the symbols are “just right.”
(one minute…)

Now, see if you can find some small step you might be able to take to move yourself in a positive direction….again, don’t answer from your head, the already known, but wait as much as a minute for the wordless, intuitive “feel,” the bodily felt sense of an answer to arise……..
(one minute…)

Take a moment, again, to carefully find words or an image for this possible next step…..go back and forth until the symbols are “just right.”
(one minute…)

Check with your “intuitive feel,” “Is this right? Is this really something I could try doing?”…If your “intuitive feel” says, “Yes (some sense of release, relaxation), I could try that,” then you can stop here. If your “felt sense” says “No, I can’t do that” or “That won’t work,” then ask yourself again, “What small step in the positive direction would work?”, again, waiting quietly, as much as a minute for an intuitive answer to arise, then making words or an image for it…….going back and forth until the symbols are “just right.”
(one minute…)

Step Six: Receiving

Keep at this as long as you are comfortable, but, if no clear next step arises, just remind yourself that, at least you have gotten a clearer sense of the problem, and, because you have spent Focusing time with “the whole thing,” maybe later something new will pop up….
(one minute or more…)

Appreciate yourself and your body for taking time with this, trusting that taking time is the important thing — solutions can then arise later.
(one minute…)

Remember, Intuitive Focusing is often taught as a twenty-hour course, so don’t be discouraged if you didn’t experience a dramatic Paradigm Shift this first time. Work through the Mini-Manual and Complete Focusing Instructions downloads, with support and help from our e-newsletter and e-discussion list, order the Self-Help Package with manual, CD, and DVD, or purchase Focusing Coaching by phone.

Subscribe to e-newsletter for weekly reminders to practice relaxation, getting a “felt sense,” and Focusing and download the Instant “Ahah!” Mini-Manaul (Ajas Instantaneos en espanol) of 10 everyday ways to add Listening and Focusing to your home and work:

Join our e-support groups for hands-on practice of Listening and Focusing and receive The Complete Focusing Instructions manual in a return email from Yahoo Groups: http://www.cefocusing.com/focusingcontact.php

Work with Dr. McGuire through Coaching or Consulting: http://www.cefocusing.com/store/categories.php

Find a Focusing Class or Focusing Coach/Trainer world-wide in many languages: http://www.cefocusing.com/freeresources/index.php#listings_pros

Dr. Kathy McGuire

Creative Edge Focusing (TM)