{"id":111,"date":"2008-04-07T11:56:04","date_gmt":"2008-04-07T15:56:04","guid":{"rendered":"http:\/\/www.cefocusing.com\/wordpress\/?p=111"},"modified":"2008-04-07T11:56:04","modified_gmt":"2008-04-07T15:56:04","slug":"interpersonal-focusing-kleins-interactive-focusing-protocol","status":"publish","type":"post","link":"https:\/\/www.cefocusing.com\/wordpress\/interpersonal-focusing-kleins-interactive-focusing-protocol\/","title":{"rendered":"INTERPERSONAL FOCUSING: KLEIN’S INTERACTIVE FOCUSING PROTOCOL"},"content":{"rendered":"

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Interactive Focusing: The Double Empathic “Golden Moment”<\/p>\n

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PRACTICE MAKES PERFECT<\/strong><\/font><\/font><\/p>\n

For four weeks, we practice an actual exercise in three different categories: An Instant “Ahah!” to integrate into your every day life at work and at home, a Felt Sensing exercise to practice this step of Focusing, and a Complete Focusing Session. Actually doing the exercise which\u00a0 arrives in each e-newsletter insures that you can call upon these new skills when needed!If you just joined us, you can “catch up” on this cycle, which is\u00a0starting Week Four, by reading archived e-newsletters <\/font><\/strong><\/font><\/font><\/p>\n

Week One\u00a0Instant Ahah! # 7: Sharing Your Day = Instant Intimacy<\/a>\u00a0and <\/font><\/strong><\/font><\/font><\/p>\n

MORE Interpersonal Focusing: The Third-Person Facilitator<\/a>\u00a0, plus <\/font><\/strong><\/font><\/font><\/p>\n

Week Two Sharing Your Day: Finding Your Partner Fascinating<\/a>\u00a0and <\/font><\/strong><\/font><\/font><\/p>\n

Interpersonal: The One Minute Apology<\/a>\u00a0plus <\/font><\/strong><\/font><\/font><\/p>\n

Week Three Increasing Sexual Intimacy<\/a>\u00a0and <\/font><\/strong><\/font><\/font><\/p>\n

Interpersonal: Group Conflict — DF vs. CEDM<\/a>\u00a0and <\/font><\/strong><\/font><\/font><\/p>\n

Week Four Instant Ahah!#7: “I Don’t Want To Share My Day!” and Re-Evaluation Co-Counseling<\/a> <\/font><\/strong><\/font><\/font><\/p>\n

If you want to learn more about past teaching\/exercises related to Interpersonal Focusing to resolve conflicts, see<\/font><\/strong><\/font><\/font> <\/font><\/strong><\/font><\/font><\/p>\n

Interpersonal Felt Sensing: This flower is beautiful TO ME Week 1<\/strong><\/a>,\u00a0\u00a0<\/strong><\/font><\/strong><\/font><\/font><\/p>\n

Interpersonal Felt Sensing Exercise<\/strong><\/a>, <\/strong><\/font><\/strong><\/font><\/font><\/p>\n

<\/font>Interpersonal: Non-Violent Communication Week 2 <\/strong><\/a>, <\/strong><\/font><\/strong><\/font><\/font><\/p>\n

Interpersonal: Verbal Abuse Vs. Focusing Protocol Week 3 <\/strong><\/a>, and <\/strong><\/font><\/strong><\/font><\/font><\/strong><\/font><\/font>Interpersonal: Myth of Dominance and Focusing Protocol Week 4<\/strong><\/a>\u00a0.<\/p>\n

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INTERACTIVE FOCUSING: THE\u00a0DOUBLE EMPATHIC “GOLDEN MOMENT”<\/font>\u00a0<\/font><\/span><\/strong><\/p>\n

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“What is the purpose or intention of Interactive Focusing?<\/span><\/font>
\nMost simply said, the purpose or intention of Interactive Focusing is to allow you to touch into your direct experience in the presence of another person and through your direct experience in the safe, empathic, accepting and compassionate environment which you create together to become aware of and to share your inner truths thereby building bonds of intimacy.”<\/font><\/span><\/p>\n

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So states Janet Klein’s introduction to the website for the self-help skill called Interactive Focusing, <\/font>www.interactivefocusing.com<\/font><\/a> , created by Janet and Mary McGuire.<\/font><\/span><\/strong><\/p>\n

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And further:<\/font><\/span><\/strong><\/p>\n

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“Interactive Focusing<\/font><\/span><\/em><\/strong>
\nInteractive Focusing develops directly from intrapersonal and transactional Focusing. Interactive Focusing requires that the participants get in touch with an unclear issue that is carried in their bodysense. It requires that there is a listener using reflective responding as their listening modality. But it further requires that the full experience is one that is created jointly and dependent on a balanced participation by both. Because it is a mutual experience, certain safeguards must be in place. Interactive Focusing has developed into a practice of empathy and compassion in a safe environment, and Interactive Focusing has become the mode for developing empathy, acceptance and compassion in a safe environment.”<\/font><\/span><\/p>\n

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Here is one version of the full Interactive Focusing Protocol<\/a><\/font> :<\/font><\/span><\/strong><\/p>\n

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Interactive Focusing Format<\/font><\/span><\/strong><\/p>\n

By Mary Melady, reviewed and edited by Janet Klein<\/font><\/span><\/em><\/p>\n

Part One: The Focuser’s Story<\/font><\/span><\/strong><\/p>\n

A.<\/font><\/span><\/strong><\/p>\n

Focuser:<\/span><\/em><\/strong>Tells a reasonable part of her story, always touching into the bodysense.<\/span><\/font><\/p>\n

Listener:<\/span><\/em><\/strong> Listens from the bodysense and offers reflective responses throughout the story-telling.<\/span><\/font><\/p>\n

B.<\/font><\/span><\/strong><\/p>\n

Focuser: <\/span><\/em><\/strong>Resonates the reflection for accuracy, to see if the inner experience shifts, to see if more comes. Gives Listener feedback, e.g. “I need more time with that,” “I’d like to hear that again,” “Yes—,” “No, it’s more like—,” “There’s another part I need you to hear —“<\/span><\/font><\/p>\n

Listener: <\/span><\/em><\/strong>Reflects the feedback to acknowledge the correction and to let the Focuser resonate it, e.g. “So it’s more like —,” “It’s not —, it’s —“<\/span><\/font><\/p>\n

C.<\/font><\/span><\/strong><\/p>\n

Focuser:<\/span><\/em><\/strong> Checks to see if she has come to a resting place with this part of her story.<\/span><\/font><\/p>\n

Listener:<\/span><\/em><\/strong> Also, can check with the Focuser to see if this part feels complete.<\/span><\/font><\/p>\n

Part<\/span><\/strong> Two: The Double Empathic Moment <\/strong>The “Golden Moment”<\/em><\/span><\/font><\/p>\n

D. <\/font><\/span><\/strong><\/p>\n

Focuser:<\/span><\/em><\/strong> Invites the Listener to go inside to the bodysense to form the empathic response: How does the Listener get that it is for the Focuser from the Focuser’s internal frame of reference. At the same time, the Focuser checks inside to get the edge of where she is with her own story and to be gentle with what is there for her.<\/span><\/font><\/p>\n

Listener:<\/span><\/em><\/strong> Goes inside: Takes time to let a bodysense form. Listens inside as if<\/em> she were the Focuser. How might all that feel for the storyteller? <\/span><\/font><\/p>\n

E.<\/font><\/span><\/strong><\/p>\n

Note: <\/span><\/em><\/strong>Usually the Listener goes first with the empathic response.<\/span><\/em><\/font><\/p>\n

Listener:<\/span><\/em><\/strong> Offers the empathic response:<\/em> The metaphor or image that has formed. It is usually brief and more poetic, capturing the essence of it. <\/span><\/font><\/p>\n

Focuser:<\/span><\/em><\/strong> The Focuser resonates the Listener’s empathic response to see if it fits and gives feedback if needed, e.g. “That really captures it,” or “It’s more like — for me.”<\/span><\/font><\/p>\n

F.<\/font><\/span><\/strong><\/p>\n

Focuser:<\/span><\/em><\/strong> Offers what came when she went inside to get how it is for her now<\/em> in this new moment.<\/span><\/font><\/p>\n

Listener: <\/span><\/em><\/strong>Gives reflective responses.<\/span><\/font><\/p>\n

G.<\/font><\/span><\/strong><\/p>\n

Focuser:<\/span><\/em><\/strong> Quiet moment to savor how it feels to share oneself and feel empathically heard.<\/span><\/font><\/p>\n

Listener:<\/span><\/em><\/strong> Quiet moment to savor how it feels to hear and take someone into your space, empathically.<\/span><\/font><\/p>\n

Part Three: The Interactive Response<\/font><\/span><\/strong><\/p>\n

The pair switches roles<\/font><\/span><\/em><\/p>\n

H.<\/font><\/span><\/strong><\/p>\n

The Focuser becomes the “new” Listener. Asks what got touched inside the “new” Focuser by what she just shared.<\/font><\/span><\/p>\n

The Listener becomes the “new” Focuser. Checks inside to see what got touched by the first Focuser’s story.<\/font><\/span><\/p>\n

They follow A-G above so the Listener has a chance to tell her story and feel empathically heard.<\/font><\/span><\/em><\/strong><\/p>\n

Part Four: The Interactive Closing – The relationship check<\/font><\/span><\/strong><\/p>\n

I.<\/font><\/span><\/strong><\/p>\n

Focuser and Listener:<\/span><\/em><\/strong> How do I feel about you now that we have shared all of that?<\/span><\/font><\/p>\n

Focuser and Listener:<\/span><\/em><\/strong> How do I feel about myself after sharing all of that with you? How do I feel about us?<\/em><\/span><\/font><\/p>\n

Summary: The Interactive Focusing Model Short form for Dyads<\/font><\/span><\/strong><\/p>\n

Part One: The Focuser’s Story<\/font><\/span><\/strong><\/p>\n